The Unknown Guest - Maeterlinck, Maurice
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The first is now published and is a brief study of veridical apparitions and hallucinations and haunted houses, or, if you will, the phantasms of the living and the dead; of those manifestations which have been oddly and not very appropriately described as "psychometric"; of the knowledge of the future: presentiments, omens, premonitions, precognitions, and the rest; and lastly of the Elberfeld horses. In the second, which will be published later, I shall treat of the miracles of Lourdes and other places, the phenomena of so called materialization, of the divining-rod and of fluidic asepsis,…mehr

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Produktbeschreibung
The first is now published and is a brief study of veridical apparitions and hallucinations and haunted houses, or, if you will, the phantasms of the living and the dead; of those manifestations which have been oddly and not very appropriately described as "psychometric"; of the knowledge of the future: presentiments, omens, premonitions, precognitions, and the rest; and lastly of the Elberfeld horses. In the second, which will be published later, I shall treat of the miracles of Lourdes and other places, the phenomena of so called materialization, of the divining-rod and of fluidic asepsis, not unmindful withal of a diamond dust of the miraculous that hangs over the greater marvels in that strange atmosphere into which we are about to pass. Maurice Maeterlinck, from the Introduction to The Unknown Guest AUTHOR BIO: Maurice Maeterlinck (1862-1949) was born in Ghet, Belgium, into a prosperous Francophone Catholic family. Maeterlinck was closely associated with the French literary movement of symbolism, which used symbols to represent ideas and emotions. The author of more than 60 books replete with suggestions of universal mystery and auras of impending doom, Maeterlinck's work as a whole can be read as a symbolist manifesto. He was awarded the Nobel Prize for Literature in 1911.
Autorenporträt
Belgian dramatist, poet, and writer Maurice Maeterlinck (1862-1949) wrote in French. He was raised in Ghent, Belgium, and completed his legal studies there before starting to write. Maeterlinck played a significant role in the Symbolist movement, which favored the use of symbols and suggestions above more conventional forms of poetry and literature. The Intruder (1890) and The Blind (1890), two of his first plays, were regarded as breakthrough examples of Symbolist theatre. The drama "The Blue Bird" (1908), which examines themes of happiness and the quest for purpose in life, is Maeterlinck's most well-known composition. Because the play was so popular, it has been transformed into a wide variety of media, including a silent film in 1918 and an animated picture in 1976. Maeterlinck was not just an accomplished dramatist but also a prolific author who covered a broad variety of subjects, such as mysticism, the nature of consciousness, and the philosophy of science. In "The Intelligence of Flowers," his most well-known work, he addresses the notion that plants and flowers possess a certain level of awareness and intellect. The Nobel Prize in Literature was given to Maeterlinck in 1911, making him the first Belgian to do so. His writings had a profound impact on the development of contemporary play and literature, and his theories on consciousness and the natural world are being researched and discussed today.
Maurice Maeterlinck