Examining the works of writers and artists such as Roberto Bolaño, Fernando Botero, Pablo Larraín, and Alejandro Zambra, this pathfinding book challenges postdictatorial aesthetics by focusing on the concept of aesthetic autonomy as a critique of economic inequality.
Examining the works of writers and artists such as Roberto Bolaño, Fernando Botero, Pablo Larraín, and Alejandro Zambra, this pathfinding book challenges postdictatorial aesthetics by focusing on the concept of aesthetic autonomy as a critique of economic inequality.
Eugenio Claudio Di Stefano is an associate professor of Spanish at the University of Nebraska at Omaha.
Inhaltsangabe
1. Acknowledgments 2. Introduction: Freedom at the End of the Postdictatorial Era 3. Part 1. Postdictatorial Aesthetics * Chapter 1. From Revolution to Human Rights * Chapter 2. Disability and Redemocratization * Chapter 3. Making Neoliberal History 4. Part 2. Toward a Politics of the Frame * Chapter 4. The Reappearance of the Frame * Chapter 5. Anti-intentionalism and the Neoliberal Left * Chapter 6. Literary Form Now * Coda: The Victim, the Frame 5. Notes 6. Works Cited 7. Index
1. Acknowledgments 2. Introduction: Freedom at the End of the Postdictatorial Era 3. Part 1. Postdictatorial Aesthetics * Chapter 1. From Revolution to Human Rights * Chapter 2. Disability and Redemocratization * Chapter 3. Making Neoliberal History 4. Part 2. Toward a Politics of the Frame * Chapter 4. The Reappearance of the Frame * Chapter 5. Anti-intentionalism and the Neoliberal Left * Chapter 6. Literary Form Now * Coda: The Victim, the Frame 5. Notes 6. Works Cited 7. Index
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