The Varieties of Historical Experience
Herausgeber: Palmié, Stephan; Stewart, Charles
The Varieties of Historical Experience
Herausgeber: Palmié, Stephan; Stewart, Charles
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This book considers how history is not just objectively lived but subjectively experienced by people in the process of orienting their present toward the past.
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This book considers how history is not just objectively lived but subjectively experienced by people in the process of orienting their present toward the past.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 290
- Erscheinungstermin: 2. April 2019
- Englisch
- Abmessung: 240mm x 161mm x 20mm
- Gewicht: 602g
- ISBN-13: 9781138315143
- ISBN-10: 1138315141
- Artikelnr.: 56232813
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 290
- Erscheinungstermin: 2. April 2019
- Englisch
- Abmessung: 240mm x 161mm x 20mm
- Gewicht: 602g
- ISBN-13: 9781138315143
- ISBN-10: 1138315141
- Artikelnr.: 56232813
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Stephan Palmié is Professor of Anthropology at The University of Chicago, USA. Charles Stewart is Professor of Anthropology at University College London, UK.
1. Introduction: The Varieties of Historical Experience 2. The Generic
Turn: Genre, Audience, and Reclaiming Historical Authority 3. Biographical
Construction and Intertextual Being 4. Gooseflesh: Music, Somatosensation,
and the Making of Historical Experience 5. Affective Democracy: Building a
Community of Feeling through Spanish Mass Grave Exhumations 6. Memory,
Mediation, and the Aesthetic: Reframing Waterloo 7. Of Arks and Dragons:
The Power of Entertainment in Creationist Historicity 8. Bodies, Artifacts
and Ghosts: NAGPRA, Ceremonies of Repossession and the Unsettling of
Settler Colonialism 9. Competing Roadways, Contesting Bloodlines: Registers
of Biopower at a Lynching Reenactment and a Confederate Flag Rally 10.
Iterative Interactions: Old and New Media Inflections of the Historical
Imagination 11. Sensors and Sources: How a Universal Model of
Instrumentation Affects Our Experiences of the Past 12. Towards a New
Historical Condition
Turn: Genre, Audience, and Reclaiming Historical Authority 3. Biographical
Construction and Intertextual Being 4. Gooseflesh: Music, Somatosensation,
and the Making of Historical Experience 5. Affective Democracy: Building a
Community of Feeling through Spanish Mass Grave Exhumations 6. Memory,
Mediation, and the Aesthetic: Reframing Waterloo 7. Of Arks and Dragons:
The Power of Entertainment in Creationist Historicity 8. Bodies, Artifacts
and Ghosts: NAGPRA, Ceremonies of Repossession and the Unsettling of
Settler Colonialism 9. Competing Roadways, Contesting Bloodlines: Registers
of Biopower at a Lynching Reenactment and a Confederate Flag Rally 10.
Iterative Interactions: Old and New Media Inflections of the Historical
Imagination 11. Sensors and Sources: How a Universal Model of
Instrumentation Affects Our Experiences of the Past 12. Towards a New
Historical Condition
1. Introduction: The Varieties of Historical Experience 2. The Generic
Turn: Genre, Audience, and Reclaiming Historical Authority 3. Biographical
Construction and Intertextual Being 4. Gooseflesh: Music, Somatosensation,
and the Making of Historical Experience 5. Affective Democracy: Building a
Community of Feeling through Spanish Mass Grave Exhumations 6. Memory,
Mediation, and the Aesthetic: Reframing Waterloo 7. Of Arks and Dragons:
The Power of Entertainment in Creationist Historicity 8. Bodies, Artifacts
and Ghosts: NAGPRA, Ceremonies of Repossession and the Unsettling of
Settler Colonialism 9. Competing Roadways, Contesting Bloodlines: Registers
of Biopower at a Lynching Reenactment and a Confederate Flag Rally 10.
Iterative Interactions: Old and New Media Inflections of the Historical
Imagination 11. Sensors and Sources: How a Universal Model of
Instrumentation Affects Our Experiences of the Past 12. Towards a New
Historical Condition
Turn: Genre, Audience, and Reclaiming Historical Authority 3. Biographical
Construction and Intertextual Being 4. Gooseflesh: Music, Somatosensation,
and the Making of Historical Experience 5. Affective Democracy: Building a
Community of Feeling through Spanish Mass Grave Exhumations 6. Memory,
Mediation, and the Aesthetic: Reframing Waterloo 7. Of Arks and Dragons:
The Power of Entertainment in Creationist Historicity 8. Bodies, Artifacts
and Ghosts: NAGPRA, Ceremonies of Repossession and the Unsettling of
Settler Colonialism 9. Competing Roadways, Contesting Bloodlines: Registers
of Biopower at a Lynching Reenactment and a Confederate Flag Rally 10.
Iterative Interactions: Old and New Media Inflections of the Historical
Imagination 11. Sensors and Sources: How a Universal Model of
Instrumentation Affects Our Experiences of the Past 12. Towards a New
Historical Condition







