When Amzie Wicksey returns to his crumbling Louisiana rental house, he's expecting nothing more than ghosts from his past-just not the literal kind. Instead, he finds two mutilated corpses on his kitchen floor and a strange, seductive widow waiting in the shadows with secrets older than the bayou. Beyonka is beautiful, mysterious, and far too familiar with death. As the body count rises and Amzie's grip on reality begins to unravel, he's pulled into a web of murder, madness, and something far darker than guilt. Haunted by his mother's death and the woman he may have strangled in a fit of…mehr
When Amzie Wicksey returns to his crumbling Louisiana rental house, he's expecting nothing more than ghosts from his past-just not the literal kind. Instead, he finds two mutilated corpses on his kitchen floor and a strange, seductive widow waiting in the shadows with secrets older than the bayou. Beyonka is beautiful, mysterious, and far too familiar with death. As the body count rises and Amzie's grip on reality begins to unravel, he's pulled into a web of murder, madness, and something far darker than guilt. Haunted by his mother's death and the woman he may have strangled in a fit of delusion, Amzie seeks shelter in Beyonka's arms-only to discover he might not be the one doing the running anymore. Because in this town, the dead don't stay buried. And some women aren't what they seem-they're what you fear. The Widow's Web is a Southern Gothic horror tale soaked in jasmine tea, blood, and the suffocating heat of secrets best left unsaid.
Riyan Septa writes stories that dwell in the shadows-where haunted men meet seductive ghosts, and reality frays at the edges like a worn-out prayer. His fiction often blends Southern Gothic atmosphere with supernatural horror, psychological suspense, and deeply flawed characters who can't outrun their past. Born with a fascination for dark folklore, twisted small-town secrets, and the ways love and fear often dance in the same skin, Riyan draws inspiration from forgotten places, midnight conversations, and the uncomfortable truths people leave unsaid. When he's not writing, he enjoys walking in overgrown places, sipping black coffee, and imagining what might be waiting behind the next closed door. The Widow's Web is his most unsettling tale yet.
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