"The Witch as Muse" is an interdisciplinary study of varied contexts and discourses that intersect in early modern artists' representations of witchcraft.
"The Witch as Muse" is an interdisciplinary study of varied contexts and discourses that intersect in early modern artists' representations of witchcraft.
Linda C. Hults is Professor of Art History at The College of Wooster. She is the author of The Print in the Western World: An Introductory History.
Inhaltsangabe
List of Illustrations Preface Chapter 1. The Witch as Woman Chapter 2. The Witch as Muse Chapter 3. Inventing the Witch in the European Heartland: DÜrer and Baldung Chapter 4. Francken, the Rhetoric of Habsburg Power, and Artistic Invention in Antwerp Chapter 5. The Art of Describing Delusion: De Gheyn and the Dutch Variant Chapter 6. Rosa: Witchcraft and the Fiery Painter Chapter 7. Between Enlightenment and Horror: Goya's Reinvention of the Witch Notes Bibliography Index Acknowledgments
List of Illustrations Preface Chapter 1. The Witch as Woman Chapter 2. The Witch as Muse Chapter 3. Inventing the Witch in the European Heartland: DÜrer and Baldung Chapter 4. Francken, the Rhetoric of Habsburg Power, and Artistic Invention in Antwerp Chapter 5. The Art of Describing Delusion: De Gheyn and the Dutch Variant Chapter 6. Rosa: Witchcraft and the Fiery Painter Chapter 7. Between Enlightenment and Horror: Goya's Reinvention of the Witch Notes Bibliography Index Acknowledgments
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