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Lonely and disillusioned, Madelene Burden is a modern-day sleeping beauty drowsing in a alcoholic stupor. And the prince whose kiss brings her to life is 300-pound ape named Erasmus, the victim of a smuggling gone awry. Enthralling readers with the same taut prose, enigmatic characters, thrilling suspense, and satirical humor that drove "Smilla" to the top of bestseller lists, Hoeg offers a daring and imaginative fable that poses searching questions about the nature of romance.
The Woman and the Ape is the story of a unique and unforgettable couple--Madelene and Erasmus. Madelene is the
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Produktbeschreibung
Lonely and disillusioned, Madelene Burden is a modern-day sleeping beauty drowsing in a alcoholic stupor. And the prince whose kiss brings her to life is 300-pound ape named Erasmus, the victim of a smuggling gone awry. Enthralling readers with the same taut prose, enigmatic characters, thrilling suspense, and satirical humor that drove "Smilla" to the top of bestseller lists, Hoeg offers a daring and imaginative fable that poses searching questions about the nature of romance.
The Woman and the Ape is the story of a unique and unforgettable couple--Madelene and Erasmus. Madelene is the wife of Adam Burden, a distinguished behavioral scientist. Erasmus--the unlikely prince--is a 300-pound ape. Brought to the Burdens' London home after escaping from animal smugglers, Erasmus is discovered to be a highly intelligent anthropoid ape, the closest thing yet to a human being. Madelene decides to save Erasmus, and between them blossoms a profound affection as deep as any human relationship. A fable for our time, The Woman and the Ape poses searching questions about the nature of love, freedom, and humanity.
Autorenporträt
Peter Høeg, born in 1957 in Denmark, pursued various interests-dancer, actor, sailor, fencer, and mountaineer-before turning seriously to writing. His work has been published in 33 countries. The Quiet Girl is his fifth novel. Høeg writes prose that is both changeable and as deep-fathomed as poetry...[It] demands to be read aloud and savored.-The New Yorker on Smilla's Sense of Snow