Opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, the 'Napoleon of crime', who has a taste for white mice, vanilla bonbons and poison.
Opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, the 'Napoleon of crime', who has a taste for white mice, vanilla bonbons and poison.
A Chronology of Wilkie Collin's Life vii Introduction xiii Further Reading xxxv A Note on the Text xxxviii The Woman in White Preface (1860) 3 (3) Preface to the Present Edition (1861) 6 (622) Appendix A: Theatrical Adaptations of The Woman in White 628 (17) Appendix B: Wilkie Collins on the Composition of the Woman in White 645 (6) Appendix C: The Serialization of the Woman in White in All the Year Round 651 (3) Notes 654
A Chronology of Wilkie Collin's Life vii Introduction xiii Further Reading xxxv A Note on the Text xxxviii The Woman in White Preface (1860) 3 (3) Preface to the Present Edition (1861) 6 (622) Appendix A: Theatrical Adaptations of The Woman in White 628 (17) Appendix B: Wilkie Collins on the Composition of the Woman in White 645 (6) Appendix C: The Serialization of the Woman in White in All the Year Round 651 (3) Notes 654
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