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This book develops a timely ecocinema approach to film analysis illuminated by Benjamin's notion of the turn of time.
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This book develops a timely ecocinema approach to film analysis illuminated by Benjamin's notion of the turn of time.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 180
- Erscheinungstermin: 28. November 2019
- Englisch
- Abmessung: 240mm x 161mm x 14mm
- Gewicht: 440g
- ISBN-13: 9789462989108
- ISBN-10: 9462989109
- Artikelnr.: 58341214
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 180
- Erscheinungstermin: 28. November 2019
- Englisch
- Abmessung: 240mm x 161mm x 14mm
- Gewicht: 440g
- ISBN-13: 9789462989108
- ISBN-10: 9462989109
- Artikelnr.: 58341214
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Gabriella Blasi teaches and researches at Griffith University as Adjunct in the Centre for Social and Cultural Research. Her research and academic publications consistently focus on the complexities of nature-culture relations in contemporary culture and cinema.
Acknowledgments, Introduction, Framing Nature and History in Malick
Scholarship, Ecocritical Film Studies and the Problem of Space, The Figural
Approach to Analysis in Film Studies, Benjamin's Concept of Time in Film
Studies, Terrence Malick's Work: Time-Based Ecocinema 1. From Myth, Tragedy
and Narrative to Allegory, Trauerspiel and Film in Badlands and Days of
Heaven Symbolic and Allegorical Nature in Badlands Tragedy and Trauerspiel
in Days of Heaven Prehistory and Second Technologies in Badlands and Days
of Heaven, The Blue Flower in the Land of Technology: Splinters of
Messianic Time in Badlands and Days of Heaven Conclusion: from Mythic to
Figural Temporal Relations in Films 2. Time and History in The Thin Red
Line and The New World, The Thin Red Line Between Historical and Mechanical
Nature, Critiquing Violence in Nature and History Timidity and Courage in
The Thin Red Line and The New World Camera Work as Pure Mediality
Conclusion: Time-Based Phenomenology 3. Looking at Evolutionary Narratives
in The Tree of Life and Voyage of Time, Replaying Life's Tape? Competing
Mythological Narratives in Malick's The Tree of Life and Voyage of Time,
Reconfiguring Modern Aesthetics in Evolutionary Narratives, Figural Space
beyond Idealism and Nihilism, Materialist Theology in The Tree of Life and
Voyage of Time: Life's Journey, Conclusion: Counterfactual Histories in
Evolutionary Narratives 4. The Wastelands of Progress in To the Wonder,
Knight of Cups and Song to Song, The End of Teleological Time in To the
Wonder The Pilgrim's Progress in Knight of Cups, Twenty-First Century's
Histories and Technologies in Song to Song Contemporary Ecocinema in Song
to Song, Conclusion: Finite Freedom and Materialist Theology in Ecocinema
Conclusion, Bibliography, Index.
Scholarship, Ecocritical Film Studies and the Problem of Space, The Figural
Approach to Analysis in Film Studies, Benjamin's Concept of Time in Film
Studies, Terrence Malick's Work: Time-Based Ecocinema 1. From Myth, Tragedy
and Narrative to Allegory, Trauerspiel and Film in Badlands and Days of
Heaven Symbolic and Allegorical Nature in Badlands Tragedy and Trauerspiel
in Days of Heaven Prehistory and Second Technologies in Badlands and Days
of Heaven, The Blue Flower in the Land of Technology: Splinters of
Messianic Time in Badlands and Days of Heaven Conclusion: from Mythic to
Figural Temporal Relations in Films 2. Time and History in The Thin Red
Line and The New World, The Thin Red Line Between Historical and Mechanical
Nature, Critiquing Violence in Nature and History Timidity and Courage in
The Thin Red Line and The New World Camera Work as Pure Mediality
Conclusion: Time-Based Phenomenology 3. Looking at Evolutionary Narratives
in The Tree of Life and Voyage of Time, Replaying Life's Tape? Competing
Mythological Narratives in Malick's The Tree of Life and Voyage of Time,
Reconfiguring Modern Aesthetics in Evolutionary Narratives, Figural Space
beyond Idealism and Nihilism, Materialist Theology in The Tree of Life and
Voyage of Time: Life's Journey, Conclusion: Counterfactual Histories in
Evolutionary Narratives 4. The Wastelands of Progress in To the Wonder,
Knight of Cups and Song to Song, The End of Teleological Time in To the
Wonder The Pilgrim's Progress in Knight of Cups, Twenty-First Century's
Histories and Technologies in Song to Song Contemporary Ecocinema in Song
to Song, Conclusion: Finite Freedom and Materialist Theology in Ecocinema
Conclusion, Bibliography, Index.
Acknowledgments, Introduction, Framing Nature and History in Malick
Scholarship, Ecocritical Film Studies and the Problem of Space, The Figural
Approach to Analysis in Film Studies, Benjamin's Concept of Time in Film
Studies, Terrence Malick's Work: Time-Based Ecocinema 1. From Myth, Tragedy
and Narrative to Allegory, Trauerspiel and Film in Badlands and Days of
Heaven Symbolic and Allegorical Nature in Badlands Tragedy and Trauerspiel
in Days of Heaven Prehistory and Second Technologies in Badlands and Days
of Heaven, The Blue Flower in the Land of Technology: Splinters of
Messianic Time in Badlands and Days of Heaven Conclusion: from Mythic to
Figural Temporal Relations in Films 2. Time and History in The Thin Red
Line and The New World, The Thin Red Line Between Historical and Mechanical
Nature, Critiquing Violence in Nature and History Timidity and Courage in
The Thin Red Line and The New World Camera Work as Pure Mediality
Conclusion: Time-Based Phenomenology 3. Looking at Evolutionary Narratives
in The Tree of Life and Voyage of Time, Replaying Life's Tape? Competing
Mythological Narratives in Malick's The Tree of Life and Voyage of Time,
Reconfiguring Modern Aesthetics in Evolutionary Narratives, Figural Space
beyond Idealism and Nihilism, Materialist Theology in The Tree of Life and
Voyage of Time: Life's Journey, Conclusion: Counterfactual Histories in
Evolutionary Narratives 4. The Wastelands of Progress in To the Wonder,
Knight of Cups and Song to Song, The End of Teleological Time in To the
Wonder The Pilgrim's Progress in Knight of Cups, Twenty-First Century's
Histories and Technologies in Song to Song Contemporary Ecocinema in Song
to Song, Conclusion: Finite Freedom and Materialist Theology in Ecocinema
Conclusion, Bibliography, Index.
Scholarship, Ecocritical Film Studies and the Problem of Space, The Figural
Approach to Analysis in Film Studies, Benjamin's Concept of Time in Film
Studies, Terrence Malick's Work: Time-Based Ecocinema 1. From Myth, Tragedy
and Narrative to Allegory, Trauerspiel and Film in Badlands and Days of
Heaven Symbolic and Allegorical Nature in Badlands Tragedy and Trauerspiel
in Days of Heaven Prehistory and Second Technologies in Badlands and Days
of Heaven, The Blue Flower in the Land of Technology: Splinters of
Messianic Time in Badlands and Days of Heaven Conclusion: from Mythic to
Figural Temporal Relations in Films 2. Time and History in The Thin Red
Line and The New World, The Thin Red Line Between Historical and Mechanical
Nature, Critiquing Violence in Nature and History Timidity and Courage in
The Thin Red Line and The New World Camera Work as Pure Mediality
Conclusion: Time-Based Phenomenology 3. Looking at Evolutionary Narratives
in The Tree of Life and Voyage of Time, Replaying Life's Tape? Competing
Mythological Narratives in Malick's The Tree of Life and Voyage of Time,
Reconfiguring Modern Aesthetics in Evolutionary Narratives, Figural Space
beyond Idealism and Nihilism, Materialist Theology in The Tree of Life and
Voyage of Time: Life's Journey, Conclusion: Counterfactual Histories in
Evolutionary Narratives 4. The Wastelands of Progress in To the Wonder,
Knight of Cups and Song to Song, The End of Teleological Time in To the
Wonder The Pilgrim's Progress in Knight of Cups, Twenty-First Century's
Histories and Technologies in Song to Song Contemporary Ecocinema in Song
to Song, Conclusion: Finite Freedom and Materialist Theology in Ecocinema
Conclusion, Bibliography, Index.







