Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. It comprises eight volumes with an additional volume of critical essays…mehr
Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. It comprises eight volumes with an additional volume of critical essays first published in The Guardian. This is the second of two volumes of Marius the Epicurean (1885), Pater's only full-length fiction. A novel of ideas, combining history and philosophy with a fictional narrative set in the late Roman Empire, the work is a fascinating experiment in the boundaries of genre.
Walter Pater (1839-1894), was an English critic, essayist, and humanist who argued that art exists for the sake of its beauty alone, rather than to teach a lesson, create a parallel, or perform another didactic purpose. "Art for art's sake" is a core principle of Aestheticism, the movement he helped found. Pater's exquisite writing style and bold ideas exerted a powerful influence on such writers as Oscar Wilde, Marcel Proust, James Joyce, W. B. Yeats, Paul Valéry, Ezra Pound, T. S. Eliot, and Wallace Stevens and has had lasting influence on the field of art criticism.
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Part III: 15. Stoicism at court 16. Second thoughts 17. Beata urbs 18. 'The ceremony of the dart' 19. The will as vision Part IV: 20. Two curious houses. 1. Guests 21. Two curious houses. 2. The church in Cecilia's house 22. 'The minor peace of the church' 23. Divine service 24. A conversation not imaginary 25. Sunt lacrimae rerum 26. The martyrs 27. The triumph of Marcus Aurelius 28. Anima naturaliter christiana.
Part III: 15. Stoicism at court 16. Second thoughts 17. Beata urbs 18. 'The ceremony of the dart' 19. The will as vision Part IV: 20. Two curious houses. 1. Guests 21. Two curious houses. 2. The church in Cecilia's house 22. 'The minor peace of the church' 23. Divine service 24. A conversation not imaginary 25. Sunt lacrimae rerum 26. The martyrs 27. The triumph of Marcus Aurelius 28. Anima naturaliter christiana.
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