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Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. This collection of essays, first published in 1889, was Pater's only…mehr

Produktbeschreibung
Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. This collection of essays, first published in 1889, was Pater's only literary-critical work until the posthumous publication of his reviews from The Guardian (the ninth volume in this edition). His well-known essay 'Style', written from the perspective of a critic and a novelist, opens the volume. The other essays include his readings of Thomas Browne, Wordsworth and Coleridge, Shakespeare and D. G. Rossetti.
Autorenporträt
Walter Pater (1839-1894), was an English critic, essayist, and humanist who argued that art exists for the sake of its beauty alone, rather than to teach a lesson, create a parallel, or perform another didactic purpose. "Art for art's sake" is a core principle of Aestheticism, the movement he helped found. Pater's exquisite writing style and bold ideas exerted a powerful influence on such writers as Oscar Wilde, Marcel Proust, James Joyce, W. B. Yeats, Paul Valéry, Ezra Pound, T. S. Eliot, and Wallace Stevens and has had lasting influence on the field of art criticism.