Examining the relationship between theatre and photography, this book shows how the two intertwine and provide vantage points for understanding each other. Joel Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography's mutual preoccupation with posing, staging, framing, and stillness.
Examining the relationship between theatre and photography, this book shows how the two intertwine and provide vantage points for understanding each other. Joel Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography's mutual preoccupation with posing, staging, framing, and stillness.
Joel Anderson is Moral Psychology & Social Philosophy Chair at the Ethics Institute in the Department of Philosophy & Religious Studies of Utrecht University, the Netherlands. In his work, he develops a relational and intersubjectivist conception of autonomy, a recognitional account of critical social theory, an "extended" approach to self-regulation and disability studies, and a social ethics of technology. He is currently working on a book on "Autonomy Gaps" and editing a collection about how technology is "Disrupting the Human." He is also a principal investigator in the research consortium Ethics of Socially Disruptive Technologies (ESDiT.nl).
Inhaltsangabe
Series Editors' Preface Introduction 1. An Unknown Street Performer: theatre of photography 2. Photography Onstage 3. Theatre Photography 4. Brecht's Photography and Theatre Conclusion Further Reading Index.
Series Editors' Preface Introduction 1. An Unknown Street Performer: theatre of photography 2. Photography Onstage 3. Theatre Photography 4. Brecht's Photography and Theatre Conclusion Further Reading Index.
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