Explores the audience's role in traditional and avant-garde theatre, the impact of the spectator upon the performance itself and surveys past approaches to audience behaviour. A second revised edition with a new chapter on intercultural theatre, a revised introduction and a revised bibliography.
Explores the audience's role in traditional and avant-garde theatre, the impact of the spectator upon the performance itself and surveys past approaches to audience behaviour. A second revised edition with a new chapter on intercultural theatre, a revised introduction and a revised bibliography.
Susan Bennett is University Professor in the Department of English at the University of Calgary, Canada. She is the author of Theatre Audiences: A Theory of Production and Reception (1997, 2nd edition), Performing Nostalgia (1996), and Theatre & Museums (2013). Among her edited volumes are Shakespeare Beyond English (co-edited with Christie Carson, 2013) and Performing Environments: Site-Specificity on the Early Modern Stage (co-edited with Mary Polito, 2014). She was editor of Theatre Journal from 1997-2001 and has also edited or co-edited special issues of other theatre and performance journals.
Inhaltsangabe
Chapter 1 Introduction Chapter 2 Theories of Reading and Viewing Chapter 3 The Audience and Theatre Chapter 4 Spectatorship Across Culture Chapter 5 Conclusion
Chapter 1 Introduction Chapter 2 Theories of Reading and Viewing Chapter 3 The Audience and Theatre Chapter 4 Spectatorship Across Culture Chapter 5 Conclusion
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