Theater Symposium, Volume 32 seeks to explore the collaborative interactions and ritual chains specific to performance during the collective reemergence into a hope filled post-COVID landscape. The contributors choose to engage this period of rebirth through an examination of the thriving and robust environment of material performance in all its facets. While vast in its diversity and by far the most popular aspect of object performance, puppetry serves as the guide into an even larger creative space of object performance styles and structures.
Theater Symposium, Volume 32 seeks to explore the collaborative interactions and ritual chains specific to performance during the collective reemergence into a hope filled post-COVID landscape. The contributors choose to engage this period of rebirth through an examination of the thriving and robust environment of material performance in all its facets. While vast in its diversity and by far the most popular aspect of object performance, puppetry serves as the guide into an even larger creative space of object performance styles and structures.
Keith Byron Kirk is an assistant professor in the Department of Theatre at Virginia Commonwealth University. He has a prolific career encompassing acting, directing, playwriting, and academia and has made significant contributions to the field.
Inhaltsangabe
A Note in Memoriam: Remembering Dr. Edmond Williams by Maegan McNerney Azar Ethos Statement Introduction: Objects Walk the World: Little Amal from Calais to Baltimore by Keith Byron Kirk Objects and Bodies by Claudia Orenstein Akbar Imhotep and the African American Object Performance Complex by Paulette Richards Stitched into the Story: Creating Connections through Quilting in A Monster Calls by Skye Strauss Mask-making and Performance in Southern Louisiana Mardi Gras Traditions by Kyla Kazuschyk Pandemic-Era Mask Performance: An Analysis of the Performing Medical Face Mask by Rebecca Johnson The “Henry Rifle” on the German Stage: Karl May’s Depiction of the American West as “Dark and Bloody Grounds” by Elisabeth Hostetter Silent Reflections—A Clown-Noir Cabaret: Transformation of Object and the Feminist Clown by Francesca Marie Chilcote, Dory Sibley, and Echo Sunyata Sibley (the Women from Mars Theatre) The Costumes of Sonia Biacchi: Exploring the Object+Body+Dynamic by Ashley Bellet Why Objects Matter by Jesse Njus Contributors
A Note in Memoriam: Remembering Dr. Edmond Williams by Maegan McNerney Azar Ethos Statement Introduction: Objects Walk the World: Little Amal from Calais to Baltimore by Keith Byron Kirk Objects and Bodies by Claudia Orenstein Akbar Imhotep and the African American Object Performance Complex by Paulette Richards Stitched into the Story: Creating Connections through Quilting in A Monster Calls by Skye Strauss Mask-making and Performance in Southern Louisiana Mardi Gras Traditions by Kyla Kazuschyk Pandemic-Era Mask Performance: An Analysis of the Performing Medical Face Mask by Rebecca Johnson The “Henry Rifle” on the German Stage: Karl May’s Depiction of the American West as “Dark and Bloody Grounds” by Elisabeth Hostetter Silent Reflections—A Clown-Noir Cabaret: Transformation of Object and the Feminist Clown by Francesca Marie Chilcote, Dory Sibley, and Echo Sunyata Sibley (the Women from Mars Theatre) The Costumes of Sonia Biacchi: Exploring the Object+Body+Dynamic by Ashley Bellet Why Objects Matter by Jesse Njus Contributors
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