Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.
Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.
Lucia Farinati is a writer-researcher, curator and activist. She holds an MA in Curating from Goldsmiths University and a PhD in Critical Studies from Kingston University, London. She is the co-author of The Force of Listening (2017), and Training for Exploitation? Politicising Employability and Reclaiming Education (2017). Jennifer Thatcher is an art historian, critic and curator. She cöcurated Folkestone Book Festival (2023), curated the public programmes for Folkestone Triennial (2014, 2017) and Whitstable Biennale (2016), and was Director of Talks at the ICA (2003-2010). She is a British Academy Postdoctoral Fellow at the University of Kent, Canterbury.
Inhaltsangabe
Part 1 History and Historiography of the Artist Interview 1. The History of the Artist Interview: Conventions, Conditions, Contexts, Collaboration 2. Re Stor(y)ing the Self 3. Articulating Artworks: On the Theory and Practice of Oral History in Art Conservation Part 2 Subverting the Biographical Model 4. The Voice of the Artists: Notes about Vasari's Lives and Early Modern Sources 5. As A Possibility of an Encounter: A Performative Reading of Autoritratto (Self Portrait) by Carla Lonzi 6. Herstory or Mine? Writing Feminist Histories of Art with Self Mythologies in Mind Part 3 Interviews as Art Practice 7. I Prefer Talkers: Andy Warhol and His Philosophy 8. Audio Arts: A Recorded Space for Contemporary Art and Artists 9. Face to Face: Interviews as Practice in the Work of Stephen Sutcliffe Part 4 Materiality and Technology 10. New Ways of Speaking: The First Artist Interviews on BBC Radio 11. Interview as Action/Archive: The Role of Televised Reportage in Contemporary Visual Art in the Turkish Cypriot Community 12. The Pleasures of the Transcript: Why Transcription of Artist Interviews Matters
Part 1 History and Historiography of the Artist Interview 1. The History of the Artist Interview: Conventions, Conditions, Contexts, Collaboration 2. Re Stor(y)ing the Self 3. Articulating Artworks: On the Theory and Practice of Oral History in Art Conservation Part 2 Subverting the Biographical Model 4. The Voice of the Artists: Notes about Vasari's Lives and Early Modern Sources 5. As A Possibility of an Encounter: A Performative Reading of Autoritratto (Self Portrait) by Carla Lonzi 6. Herstory or Mine? Writing Feminist Histories of Art with Self Mythologies in Mind Part 3 Interviews as Art Practice 7. I Prefer Talkers: Andy Warhol and His Philosophy 8. Audio Arts: A Recorded Space for Contemporary Art and Artists 9. Face to Face: Interviews as Practice in the Work of Stephen Sutcliffe Part 4 Materiality and Technology 10. New Ways of Speaking: The First Artist Interviews on BBC Radio 11. Interview as Action/Archive: The Role of Televised Reportage in Contemporary Visual Art in the Turkish Cypriot Community 12. The Pleasures of the Transcript: Why Transcription of Artist Interviews Matters
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