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Theory for Today's Musician, Fourth Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today's music student.
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Theory for Today's Musician, Fourth Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today's music student.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- 4. Auflage
- Seitenzahl: 712
- Erscheinungstermin: 2. September 2025
- Englisch
- Abmessung: 280mm x 210mm
- ISBN-13: 9781032519951
- ISBN-10: 1032519959
- Artikelnr.: 72654654
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis Ltd
- 4. Auflage
- Seitenzahl: 712
- Erscheinungstermin: 2. September 2025
- Englisch
- Abmessung: 280mm x 210mm
- ISBN-13: 9781032519951
- ISBN-10: 1032519959
- Artikelnr.: 72654654
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Ralph Turek is a theorist, composer, author, jazz pianist, Professor Emeritus at The University of Akron, and a veteran of 35 years of teaching in the music theory classroom. Daniel McCarthy is a familiar name in contemporary American music. As a composer, he has received distinguished faculty research/creativity awards at Indiana State University and The University of Akron, where he is Chair of the Composition and Theory Section in the School of Music. He also has extensive experience as a studio composer/arranger for TV, radio, and film.
PART ONE: IN LIEU OF FUNDAMENTALS
1 Assorted Preliminaries
2 Intervals
PART TWO: DIATONIC HARMONY
3 Basic Harmonic Structures
4 Musical Shorthand: Lead Sheets and Figured Bass
5 Harmonies of the Major and Minor Scales
6 Cadences
Harmonic Rhythm
PART THREE: MELODY
7 Melodic Pitch and Rhythm
8 Embellishing Tones
9 Melodic Form
PART FOUR: VOICE LEADING
10 Melodic Principles of Part Writing: The Outer-Voice Framework
11 The Melodic Factor in Four-Voice Part Writing: Voicing and Connecting Chords
12 The Chorale: Part Writing with Root-Position Triads
13 Part Writing with Triads in Inversion
14 Part Writing Seventh Chords
PART FIVE: BASIC CHROMATIC HARMONY
15 Secondary Function I
16 Secondary Function II
17 Modulation I
PART SIX: COUNTERPOINT
18 The Art of Countermelody
19 The Fugue
PART SEVEN: ADVANCED CHROMATIC HARMONY
20 Mixing Modes
21 Altered Pre-Dominants
22 Other Chromatic Harmonies
23 Modulation II
24 Harmonic Extensions and Chromatic Techniques
PART EIGHT: FORM
25 Binary and Ternary Forms
26 Sonata Form
27 The Rondo
PART NINE: MUSIC IN THE TWENTIETH CENTURY AND BEYOND
28 Syntax and Vocabulary
29 New Tonal Methods
30 Non-Serial Atonality
31 Serial Atonality
32 Harmonic Principles in Jazz
33 The Blues
34 Shaping a Song
35 Music in the Twenty-First Century Appendix A: Pitch
Appendix B: Rhythm
Appendix C: Lead-Sheet Symbols
Appendix D: Part Writing Guidelines
1 Assorted Preliminaries
2 Intervals
PART TWO: DIATONIC HARMONY
3 Basic Harmonic Structures
4 Musical Shorthand: Lead Sheets and Figured Bass
5 Harmonies of the Major and Minor Scales
6 Cadences
Harmonic Rhythm
PART THREE: MELODY
7 Melodic Pitch and Rhythm
8 Embellishing Tones
9 Melodic Form
PART FOUR: VOICE LEADING
10 Melodic Principles of Part Writing: The Outer-Voice Framework
11 The Melodic Factor in Four-Voice Part Writing: Voicing and Connecting Chords
12 The Chorale: Part Writing with Root-Position Triads
13 Part Writing with Triads in Inversion
14 Part Writing Seventh Chords
PART FIVE: BASIC CHROMATIC HARMONY
15 Secondary Function I
16 Secondary Function II
17 Modulation I
PART SIX: COUNTERPOINT
18 The Art of Countermelody
19 The Fugue
PART SEVEN: ADVANCED CHROMATIC HARMONY
20 Mixing Modes
21 Altered Pre-Dominants
22 Other Chromatic Harmonies
23 Modulation II
24 Harmonic Extensions and Chromatic Techniques
PART EIGHT: FORM
25 Binary and Ternary Forms
26 Sonata Form
27 The Rondo
PART NINE: MUSIC IN THE TWENTIETH CENTURY AND BEYOND
28 Syntax and Vocabulary
29 New Tonal Methods
30 Non-Serial Atonality
31 Serial Atonality
32 Harmonic Principles in Jazz
33 The Blues
34 Shaping a Song
35 Music in the Twenty-First Century Appendix A: Pitch
Appendix B: Rhythm
Appendix C: Lead-Sheet Symbols
Appendix D: Part Writing Guidelines
PART ONE: IN LIEU OF FUNDAMENTALS
1 Assorted Preliminaries
2 Intervals
PART TWO: DIATONIC HARMONY
3 Basic Harmonic Structures
4 Musical Shorthand: Lead Sheets and Figured Bass
5 Harmonies of the Major and Minor Scales
6 Cadences
Harmonic Rhythm
PART THREE: MELODY
7 Melodic Pitch and Rhythm
8 Embellishing Tones
9 Melodic Form
PART FOUR: VOICE LEADING
10 Melodic Principles of Part Writing: The Outer-Voice Framework
11 The Melodic Factor in Four-Voice Part Writing: Voicing and Connecting Chords
12 The Chorale: Part Writing with Root-Position Triads
13 Part Writing with Triads in Inversion
14 Part Writing Seventh Chords
PART FIVE: BASIC CHROMATIC HARMONY
15 Secondary Function I
16 Secondary Function II
17 Modulation I
PART SIX: COUNTERPOINT
18 The Art of Countermelody
19 The Fugue
PART SEVEN: ADVANCED CHROMATIC HARMONY
20 Mixing Modes
21 Altered Pre-Dominants
22 Other Chromatic Harmonies
23 Modulation II
24 Harmonic Extensions and Chromatic Techniques
PART EIGHT: FORM
25 Binary and Ternary Forms
26 Sonata Form
27 The Rondo
PART NINE: MUSIC IN THE TWENTIETH CENTURY AND BEYOND
28 Syntax and Vocabulary
29 New Tonal Methods
30 Non-Serial Atonality
31 Serial Atonality
32 Harmonic Principles in Jazz
33 The Blues
34 Shaping a Song
35 Music in the Twenty-First Century Appendix A: Pitch
Appendix B: Rhythm
Appendix C: Lead-Sheet Symbols
Appendix D: Part Writing Guidelines
1 Assorted Preliminaries
2 Intervals
PART TWO: DIATONIC HARMONY
3 Basic Harmonic Structures
4 Musical Shorthand: Lead Sheets and Figured Bass
5 Harmonies of the Major and Minor Scales
6 Cadences
Harmonic Rhythm
PART THREE: MELODY
7 Melodic Pitch and Rhythm
8 Embellishing Tones
9 Melodic Form
PART FOUR: VOICE LEADING
10 Melodic Principles of Part Writing: The Outer-Voice Framework
11 The Melodic Factor in Four-Voice Part Writing: Voicing and Connecting Chords
12 The Chorale: Part Writing with Root-Position Triads
13 Part Writing with Triads in Inversion
14 Part Writing Seventh Chords
PART FIVE: BASIC CHROMATIC HARMONY
15 Secondary Function I
16 Secondary Function II
17 Modulation I
PART SIX: COUNTERPOINT
18 The Art of Countermelody
19 The Fugue
PART SEVEN: ADVANCED CHROMATIC HARMONY
20 Mixing Modes
21 Altered Pre-Dominants
22 Other Chromatic Harmonies
23 Modulation II
24 Harmonic Extensions and Chromatic Techniques
PART EIGHT: FORM
25 Binary and Ternary Forms
26 Sonata Form
27 The Rondo
PART NINE: MUSIC IN THE TWENTIETH CENTURY AND BEYOND
28 Syntax and Vocabulary
29 New Tonal Methods
30 Non-Serial Atonality
31 Serial Atonality
32 Harmonic Principles in Jazz
33 The Blues
34 Shaping a Song
35 Music in the Twenty-First Century Appendix A: Pitch
Appendix B: Rhythm
Appendix C: Lead-Sheet Symbols
Appendix D: Part Writing Guidelines