An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.
An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.
LIST OF PLATES NOTES ON CONTRIBUTORS ACKNOWLEDGEMENTS INTRODUCTION PART I: THE FUTURE OF HISTORY 1. THE MUSEUM AND THE 'AHISTORICAL' EXHIBITION: the latest gimmick by the arbiters of taste or an important cultural phenomenon? 2. BROKERING IDENTITIES: art curators and the politics of cultural representation 3. LARGE EXHIBITIONS: a sketch of a typology 4. FOR EXAMPLE DOCUMENTA OR HOW IS ART HISTORY PRODUCED? PART II: STAGING SPECTATORS 5. THE EXHIBITIONARY COMPLEX 6. THE MUSEUM FLAT 7. NAMING NAMES: the art of memory and the NAMES Project AIDS Quilt PART III: GRAMMATIC ACTS 8. LES IMMATÉRIAUX 9. EXHIBITION RHETORICS: material speech and utter sense 10. CREATING SPACES 11. THE DISCOURSE OF THE MUSEUM PART IV: CURATORS OR CATERERS 12. THE GREAT CURATORIAL DIM-OUT 13. FROM MUSEUM CURATOR TO EXHIBITION AUTEUR: inventing a singular position 14. CONSTRUCTING THE SPECTACLE OF CULTURE IN MUSEUMS 15. THE SHOW YOU LOVE TO HATE: a psychology of the mega-exhibition 16. FREE FALL-FREEZE FRAME: Africa exhibitions artists PART V: SPATIAL PLAY 17. THE ONE-PICTURE GALLERY 18. DISSENTING SPACES 19. FUNCTION OF ARCHITECTURE: notes on work in connection with the places where it is installed taken between 1967 and 1975 some of which are specially summarized here 20. THE GALLERY AS A GESTURE 21. POSTMODERNISM'S MUSEUM WITHOUT WALLS 22. THE EXHIBITED REDISTRIBUTED: a case for reassessing space PART VI: THE EXHIBITION CONDITION 23. A VISUAL MACHINE: art installation and its modern archetypes 24. THE INSTITUTIONALIZATION OF DISSENT 25. MODERNISM NATIONALISM AND BEYOND: a critical history of exhibitions of First Nations art 26. IN AND OUT OF PLACE 27. WHAT'S IMPORTANT ABOUT THE HISTORY OF MODERN ART EXHIBITIONS? SELECT BIBLIOGRAPHY INDEX
LIST OF PLATES NOTES ON CONTRIBUTORS ACKNOWLEDGEMENTS INTRODUCTION PART I: THE FUTURE OF HISTORY 1. THE MUSEUM AND THE 'AHISTORICAL' EXHIBITION: the latest gimmick by the arbiters of taste or an important cultural phenomenon? 2. BROKERING IDENTITIES: art curators and the politics of cultural representation 3. LARGE EXHIBITIONS: a sketch of a typology 4. FOR EXAMPLE DOCUMENTA OR HOW IS ART HISTORY PRODUCED? PART II: STAGING SPECTATORS 5. THE EXHIBITIONARY COMPLEX 6. THE MUSEUM FLAT 7. NAMING NAMES: the art of memory and the NAMES Project AIDS Quilt PART III: GRAMMATIC ACTS 8. LES IMMATÉRIAUX 9. EXHIBITION RHETORICS: material speech and utter sense 10. CREATING SPACES 11. THE DISCOURSE OF THE MUSEUM PART IV: CURATORS OR CATERERS 12. THE GREAT CURATORIAL DIM-OUT 13. FROM MUSEUM CURATOR TO EXHIBITION AUTEUR: inventing a singular position 14. CONSTRUCTING THE SPECTACLE OF CULTURE IN MUSEUMS 15. THE SHOW YOU LOVE TO HATE: a psychology of the mega-exhibition 16. FREE FALL-FREEZE FRAME: Africa exhibitions artists PART V: SPATIAL PLAY 17. THE ONE-PICTURE GALLERY 18. DISSENTING SPACES 19. FUNCTION OF ARCHITECTURE: notes on work in connection with the places where it is installed taken between 1967 and 1975 some of which are specially summarized here 20. THE GALLERY AS A GESTURE 21. POSTMODERNISM'S MUSEUM WITHOUT WALLS 22. THE EXHIBITED REDISTRIBUTED: a case for reassessing space PART VI: THE EXHIBITION CONDITION 23. A VISUAL MACHINE: art installation and its modern archetypes 24. THE INSTITUTIONALIZATION OF DISSENT 25. MODERNISM NATIONALISM AND BEYOND: a critical history of exhibitions of First Nations art 26. IN AND OUT OF PLACE 27. WHAT'S IMPORTANT ABOUT THE HISTORY OF MODERN ART EXHIBITIONS? SELECT BIBLIOGRAPHY INDEX
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