Thinking Medieval Romance
Herausgeber: Little, Katherine C; Mcdonald, Nicola
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Thinking Medieval Romance
Herausgeber: Little, Katherine C; Mcdonald, Nicola
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Theoretically savvy and polemical arguments about a broad range of French, Middle English, and Mediterranean romances, that will revise scholars' and students' understanding of what medieval romances are and, more importantly, what they do to and for their readers.
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Theoretically savvy and polemical arguments about a broad range of French, Middle English, and Mediterranean romances, that will revise scholars' and students' understanding of what medieval romances are and, more importantly, what they do to and for their readers.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press (UK)
- Seitenzahl: 256
- Erscheinungstermin: 25. Dezember 2018
- Englisch
- Abmessung: 236mm x 160mm x 23mm
- Gewicht: 567g
- ISBN-13: 9780198795148
- ISBN-10: 0198795149
- Artikelnr.: 54433627
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Oxford University Press (UK)
- Seitenzahl: 256
- Erscheinungstermin: 25. Dezember 2018
- Englisch
- Abmessung: 236mm x 160mm x 23mm
- Gewicht: 567g
- ISBN-13: 9780198795148
- ISBN-10: 0198795149
- Artikelnr.: 54433627
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Katherine C. Little is Professor of English at University of Colorado Boulder. Author of Confession and Resistance: Defining the Self in Late Medieval England and Transforming Work: Early Modern Pastoral and Late Medieval Poetry, she has also published essays on the Wycliffite heresy, the Piers-Plowman-tradition, and the poetry of Chaucer and Spenser. Nicola McDonald is Senior Lecturer in the Department of English and Related Literature & the Centre for Medieval Studies, at the University of York. Editor of Pulp Fictions of Medieval England: Essays in Middle English Romance and Medieval Obscenities, her research focuses on Middle English romance as a fundamentally interrogative genre. She also works on medieval women, in particular women's literacy and ludic culture and is, additionally, the author of essays on Chaucer, Gower, and late-medieval household miscellanies.
* Introduction
* I. Does Romance Think?
* 1: Nicola McDonald: The Wonder of Middle English Romance
* 2: James Simpson: Unthinking Thought: Romance's Wisdom
* II. Romance Thinks Politics
* 3: Laura Ashe: Killing the King: Romance and the Politicization of
History
* 4: Lee Manion: Thinking through the English Crusading Romance: Sir
Gowther and the Baltic
* III. Romance thinks religion
* 5: Matilda Tomaryn Bruckner: Weaving a Tapestry from Biblical
Exegesis to Romance Textuality: Caught in the Web of Chrétien's
Conte du Graal
* 6: Geoff Rector: Marie de France, the Psalms, and the Construction of
Romance Authorship
* 7: Emma O'Loughlin Bérat: Romance and Revelation
* IV. Romance Thinks Music
* 8: Emma Dillon: Song and the Soundscape of Old French Romance
* 9: Monika Otter: Music by Tristan: The Two Lais of Chèvrefeuille
* V. Rethinking the term 'Romance'
* 10: Sharon Kinoshita: Romance in/ and the Medieval Mediterranean
* 11: Michelle R. Warren: Good History, Bad Romance, and the Making of
Literature
* I. Does Romance Think?
* 1: Nicola McDonald: The Wonder of Middle English Romance
* 2: James Simpson: Unthinking Thought: Romance's Wisdom
* II. Romance Thinks Politics
* 3: Laura Ashe: Killing the King: Romance and the Politicization of
History
* 4: Lee Manion: Thinking through the English Crusading Romance: Sir
Gowther and the Baltic
* III. Romance thinks religion
* 5: Matilda Tomaryn Bruckner: Weaving a Tapestry from Biblical
Exegesis to Romance Textuality: Caught in the Web of Chrétien's
Conte du Graal
* 6: Geoff Rector: Marie de France, the Psalms, and the Construction of
Romance Authorship
* 7: Emma O'Loughlin Bérat: Romance and Revelation
* IV. Romance Thinks Music
* 8: Emma Dillon: Song and the Soundscape of Old French Romance
* 9: Monika Otter: Music by Tristan: The Two Lais of Chèvrefeuille
* V. Rethinking the term 'Romance'
* 10: Sharon Kinoshita: Romance in/ and the Medieval Mediterranean
* 11: Michelle R. Warren: Good History, Bad Romance, and the Making of
Literature
* Introduction
* I. Does Romance Think?
* 1: Nicola McDonald: The Wonder of Middle English Romance
* 2: James Simpson: Unthinking Thought: Romance's Wisdom
* II. Romance Thinks Politics
* 3: Laura Ashe: Killing the King: Romance and the Politicization of
History
* 4: Lee Manion: Thinking through the English Crusading Romance: Sir
Gowther and the Baltic
* III. Romance thinks religion
* 5: Matilda Tomaryn Bruckner: Weaving a Tapestry from Biblical
Exegesis to Romance Textuality: Caught in the Web of Chrétien's
Conte du Graal
* 6: Geoff Rector: Marie de France, the Psalms, and the Construction of
Romance Authorship
* 7: Emma O'Loughlin Bérat: Romance and Revelation
* IV. Romance Thinks Music
* 8: Emma Dillon: Song and the Soundscape of Old French Romance
* 9: Monika Otter: Music by Tristan: The Two Lais of Chèvrefeuille
* V. Rethinking the term 'Romance'
* 10: Sharon Kinoshita: Romance in/ and the Medieval Mediterranean
* 11: Michelle R. Warren: Good History, Bad Romance, and the Making of
Literature
* I. Does Romance Think?
* 1: Nicola McDonald: The Wonder of Middle English Romance
* 2: James Simpson: Unthinking Thought: Romance's Wisdom
* II. Romance Thinks Politics
* 3: Laura Ashe: Killing the King: Romance and the Politicization of
History
* 4: Lee Manion: Thinking through the English Crusading Romance: Sir
Gowther and the Baltic
* III. Romance thinks religion
* 5: Matilda Tomaryn Bruckner: Weaving a Tapestry from Biblical
Exegesis to Romance Textuality: Caught in the Web of Chrétien's
Conte du Graal
* 6: Geoff Rector: Marie de France, the Psalms, and the Construction of
Romance Authorship
* 7: Emma O'Loughlin Bérat: Romance and Revelation
* IV. Romance Thinks Music
* 8: Emma Dillon: Song and the Soundscape of Old French Romance
* 9: Monika Otter: Music by Tristan: The Two Lais of Chèvrefeuille
* V. Rethinking the term 'Romance'
* 10: Sharon Kinoshita: Romance in/ and the Medieval Mediterranean
* 11: Michelle R. Warren: Good History, Bad Romance, and the Making of
Literature