This, the first modern critical study of a lyricist, humorist and social protest poet who was a household name throughout the Victorian period, explores the relationship between Thomas Hood's playfulness, his liberal politics, and contemporary cultural debate about labour and recreation, literary materiality and urban consumption.
This, the first modern critical study of a lyricist, humorist and social protest poet who was a household name throughout the Victorian period, explores the relationship between Thomas Hood's playfulness, his liberal politics, and contemporary cultural debate about labour and recreation, literary materiality and urban consumption.
Sara Lodge is Senior Lecturer in English, specialising in Nineteenth-Century Literature, at the University of St Andrews
Inhaltsangabe
Introduction 1. Material backgrounds: print dissent and the social society 2. Hood and the minor: at the London Magazine and after 3. Performing the city: the audience as subject 4. A common centaur: Hood and the grotesque 5. Pun and pleasure: Hood's tied trope 6. Sine qua non-sense: work play and criticism Index
Introduction 1. Material backgrounds: print dissent and the social society 2. Hood and the minor: at the London Magazine and after 3. Performing the city: the audience as subject 4. A common centaur: Hood and the grotesque 5. Pun and pleasure: Hood's tied trope 6. Sine qua non-sense: work play and criticism Index
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