A resource for scholars and theatre lovers alike, this collection of essays and new dramatic translations charts the transformations and transpositions that the three oranges tale underwent to provoke theatrical revolutions that still reverberate today.
A resource for scholars and theatre lovers alike, this collection of essays and new dramatic translations charts the transformations and transpositions that the three oranges tale underwent to provoke theatrical revolutions that still reverberate today.
Dassia N. Posner is Associate Professor of Theatre and Slavic Languages and Literatures at Northwestern University. Her books include The Director's Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde and The Routledge Companion to Puppetry and Material Performance. Kevin Bartig is Professor of Musicology at Michigan State University. His books include Composing for the Red Screen: Prokofiev and Soviet Film and Sergei Prokofiev's Alexander Nevsky. Maria De Simone is a PhD candidate in the Interdisciplinary PhD in Theatre and Drama (IPTD) program at Northwestern University. Maria also holds an MA from Ca' Foscari University of Venice, where she was first introduced to 18th-century Venetian theatrical practices.
Inhaltsangabe
Editorial Notes List of Definitions and Abbreviations List of Illustrations List of Musical Examples Preface: How Not to Die Laughing in a Lethal Time, by Caryl Emerson Acknowledgments Introduction, by Dassia N. Posner, Kevin Bartig, and Maria De Simone Part I: The Fiaba 1. Reflective Analysis of the Fairy Tale The Love of Three Oranges, by Carlo Gozzi , by Maria De Simone 2. The Love of Three Oranges, Venice 1761: A Theatrical Provocation, by Alberto Beniscelli 3. A Short Note on the First Sacchi Company , by Giulietta Bazoli 4. Gozzi's The Love of Three Oranges: A New Horizon of Expectations, by Domenico Pietropaolo 5. Carlo Gozzi's Reactionary Imagination, by Ted Emery 6. A Cultural Pastiche of Fantasy, Satire, and Citrus: Gozzi's The Love of Three Oranges in its German Afterlife, by Natalya Baldyga Part II: The Divertissement 7. Love for Three Oranges. A Divertissement in Twelve Scenes, a Prologue, an Epilogue, and Three Interludes, by Konstantin Vogak, Vsevolod Meyerhold, and Vladimir Soloviev, by Dassia N. Posner 8. Carlo Gozzi in The Journal of Doctor Dapertutto , by Raissa Raskina 9. Meyerhold and the Russian Commedia dell'Arte Myth , by Vadim Shcherbakov 10. The Miklashevsky Connection, by Laurence Senelick 11. From Divertissement to Opera: Two Russian Oranges, by Julia Galanina Part III: The Opera 12. Love for Three Oranges, by Sergei Prokofiev , by Kevin Bartig 13. Tsardom and Buttocks: From Empress Anna to Prokofiev's Fata Morgana, by Inna Naroditskaya 14. Notes on the Musical Parody in Prokofiev's Three Oranges , by Natalia Savkina 15. Notes on the Notes , by Simon A. Morrison 16. Boris Anisfeld, an Alchemist of Color , by John E. Bowlt 17. Oranges in Leningrad , by Kevin Bartig List of Contributors Index
Editorial Notes List of Definitions and Abbreviations List of Illustrations List of Musical Examples Preface: How Not to Die Laughing in a Lethal Time, by Caryl Emerson Acknowledgments Introduction, by Dassia N. Posner, Kevin Bartig, and Maria De Simone Part I: The Fiaba 1. Reflective Analysis of the Fairy Tale The Love of Three Oranges, by Carlo Gozzi , by Maria De Simone 2. The Love of Three Oranges, Venice 1761: A Theatrical Provocation, by Alberto Beniscelli 3. A Short Note on the First Sacchi Company , by Giulietta Bazoli 4. Gozzi's The Love of Three Oranges: A New Horizon of Expectations, by Domenico Pietropaolo 5. Carlo Gozzi's Reactionary Imagination, by Ted Emery 6. A Cultural Pastiche of Fantasy, Satire, and Citrus: Gozzi's The Love of Three Oranges in its German Afterlife, by Natalya Baldyga Part II: The Divertissement 7. Love for Three Oranges. A Divertissement in Twelve Scenes, a Prologue, an Epilogue, and Three Interludes, by Konstantin Vogak, Vsevolod Meyerhold, and Vladimir Soloviev, by Dassia N. Posner 8. Carlo Gozzi in The Journal of Doctor Dapertutto , by Raissa Raskina 9. Meyerhold and the Russian Commedia dell'Arte Myth , by Vadim Shcherbakov 10. The Miklashevsky Connection, by Laurence Senelick 11. From Divertissement to Opera: Two Russian Oranges, by Julia Galanina Part III: The Opera 12. Love for Three Oranges, by Sergei Prokofiev , by Kevin Bartig 13. Tsardom and Buttocks: From Empress Anna to Prokofiev's Fata Morgana, by Inna Naroditskaya 14. Notes on the Musical Parody in Prokofiev's Three Oranges , by Natalia Savkina 15. Notes on the Notes , by Simon A. Morrison 16. Boris Anisfeld, an Alchemist of Color , by John E. Bowlt 17. Oranges in Leningrad , by Kevin Bartig List of Contributors Index
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