By foregrounding bodily pleasure in the experience of time and its representation in queer literature, film, video, and art, Elizabeth Freeman challenges queer theory s recent emphasis on loss and trauma.
By foregrounding bodily pleasure in the experience of time and its representation in queer literature, film, video, and art, Elizabeth Freeman challenges queer theory s recent emphasis on loss and trauma.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Perverse Modernities: a Series Edited by Jack Halberstam and Lisa Lowe
Elizabeth Freeman is Associate Professor of English at the University of California, Davis. She is the author of The Wedding Complex: Forms of Belonging in Modern American Culture, also published by Duke University Press.
Inhaltsangabe
Preface ix Acknowledgments xxv Introduction: Queer and Not Now 1 1. Junk Inheritances, Bad Timing: Familial Arrhythmia in Three Working-Class Dyke Narratives 21 2. Deep Lez: Temporal Drag and the Specters of Feminism 59 3. Time Binds, or, Erotohistoriography 95 4. Turn the Beat Around: Sadomasochism, Temporality, History 137 Coda 171 Appendix: Distributors for Films and Videos 175 Notes 177 Bibliography 193 Index 209
Preface ix Acknowledgments xxv Introduction: Queer and Not Now 1 1. Junk Inheritances, Bad Timing: Familial Arrhythmia in Three Working-Class Dyke Narratives 21 2. Deep Lez: Temporal Drag and the Specters of Feminism 59 3. Time Binds, or, Erotohistoriography 95 4. Turn the Beat Around: Sadomasochism, Temporality, History 137 Coda 171 Appendix: Distributors for Films and Videos 175 Notes 177 Bibliography 193 Index 209
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