John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.…mehr
John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.
Lisa Hopkins is Professor of English at Sheffield Hallam University, UK.
Inhaltsangabe
Series Introduction Timeline of notable events and productions Introduction Lisa Hopkins (Sheffield Hallam University UK) 1. The Critical Backstory Lisa Hopkins (Sheffield Hallam University UK) 2. Performance History Kate Wilkinson (Sheffield Hallam University UK) 3. The State of the Art - Current Critical Research Sandra Clark (School of Advanced Study University of London UK) 4. New Directions: 'Fatal Attraction: Desire Anatomy and Death in 'Tis Pity She's a Whore Catherine Silverstone (Queen Mary UK) 5. New Directions: Identifying the Real Whore of Parma Corinne S. Abate (Morristown-Beard School) 6. New Directions: The Confessional Identities of 'Tis Pity She's a Whore Gillian Woods (Wadham College Oxford UK) 7. New Directions: The Deconstructing 'Tis Pity?: Derrida Barthes & Ford Mark Houlahan (University of Waikato NZ) 8. New Directions: 'Tis Pity She's a Whore and the Space of the Stage Lisa Hopkins (Sheffield Hallam University UK) Resources Rhonda Lemke Sanford (Fairmont State University UK) Notes on Contributors Index
Series Introduction Timeline of notable events and productions Introduction Lisa Hopkins (Sheffield Hallam University UK) 1. The Critical Backstory Lisa Hopkins (Sheffield Hallam University UK) 2. Performance History Kate Wilkinson (Sheffield Hallam University UK) 3. The State of the Art - Current Critical Research Sandra Clark (School of Advanced Study University of London UK) 4. New Directions: 'Fatal Attraction: Desire Anatomy and Death in 'Tis Pity She's a Whore Catherine Silverstone (Queen Mary UK) 5. New Directions: Identifying the Real Whore of Parma Corinne S. Abate (Morristown-Beard School) 6. New Directions: The Confessional Identities of 'Tis Pity She's a Whore Gillian Woods (Wadham College Oxford UK) 7. New Directions: The Deconstructing 'Tis Pity?: Derrida Barthes & Ford Mark Houlahan (University of Waikato NZ) 8. New Directions: 'Tis Pity She's a Whore and the Space of the Stage Lisa Hopkins (Sheffield Hallam University UK) Resources Rhonda Lemke Sanford (Fairmont State University UK) Notes on Contributors Index
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