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Riches to rags. ... Time heals all wounds, ... but old deeds still haunt, ... even for the innocent! After helping the captain solve his long overdue case, Doreen's reputation is well and truly cemented in Kelowna. That's proven out when a young woman is murdered in her own apartment, and the police start looking at the boyfriend. With the town on edge, this young man seeks out Doreen's help to prove his innocence. Corporal Mack Moreau is back to light duty work-mostly keeping an eye on Doreen, if the captain has any say in it. It's hardly a hardship, as he loves being around her, when she's…mehr

Produktbeschreibung
Riches to rags. ... Time heals all wounds, ... but old deeds still haunt, ... even for the innocent! After helping the captain solve his long overdue case, Doreen's reputation is well and truly cemented in Kelowna. That's proven out when a young woman is murdered in her own apartment, and the police start looking at the boyfriend. With the town on edge, this young man seeks out Doreen's help to prove his innocence. Corporal Mack Moreau is back to light duty work-mostly keeping an eye on Doreen, if the captain has any say in it. It's hardly a hardship, as he loves being around her, when she's not dipping her toes in his active cases. And yet somehow she manages to find old cases that dovetail with his ongoing ones, giving her an exaggerated opinion of where her boundaries are. What seems simple on the surface goes back into history to a case that was done and dusted, with the killer now out free, looking for revenge. But, of course, it's not that simple or that easy; and, by the time Doreen and her animal crew are done, the world has shifted for more than just one person in this case.
Autorenporträt
Hey there. I'm a Canadian USA Today best-selling author, and I love writing for everyone-whether you're young, old, or somewhere in between. My books? Well, they're a mixed bag. Some are steamy, some are sweet, and a few might have you sleeping with the lights on. Others are perfect for snuggling up with.I've never been one to color inside the lines or stick to a single path. I embrace the wild stories that pop into my head, even if they break the rules and dance across genres. A few years ago, I switched to dictating my stories because my fingers were starting to feel the impact of my steady 10,000 words a day. Dictating is linear, so it silences my internal editor. You can't stop to ensure something is perfect or to see what needs changing-you must continue onward. This approach has allowed me to let my muse take the lead and to feel the story pour from my heart. My mind steps in during the editing process, but, until then, it's all about letting the characters direct the story. That's why my stories have that existential feel of a Dale Mayer book.And you know what? That's totally okay with me.One thing's for sure: every book I write promises to be a great read, every single time.