Stephanie C. Palmer reassesses the cultural work of local color literature written during the postbellum and Gilded Age in the United States. To do so, Palmer traces the meaning of the regional travel accident motif through local color texts by Sarah Orne Jewett, Bret Harte, William Dean Howells, Elizabeth Stuart Phelps, and others.
Stephanie C. Palmer reassesses the cultural work of local color literature written during the postbellum and Gilded Age in the United States. To do so, Palmer traces the meaning of the regional travel accident motif through local color texts by Sarah Orne Jewett, Bret Harte, William Dean Howells, Elizabeth Stuart Phelps, and others.
Stephanie C. Palmer is assistant professor in the department of American culture and literature at Bilkent University in Turkey.
Inhaltsangabe
1 Table of Contents Chapter 2 Introduction Chapter 3 1. Can the Genteel Writer Write the Local Novel?: Caroline Kirkland, Eliza Farnham, and Rose Terry Cooke Chapter 4 2. Travel Delays in the Commercial Countryside: Bret Harte and Sarah Orne Jewett Chapter 5 3. Travel Delays and Provincial Ambition: Rebecca Harding Davis and Thomas Detter Chapter 6 4. Realist Magic in the Country and the City: William Dean Howells Chapter 7 5. Angry Reform from Elsewhere in New England: Elizabeth Stuart Phelps Chapter 8 Epilogue 9 Notes 10 Bibliography 11 Index 12 About the Author
1 Table of Contents Chapter 2 Introduction Chapter 3 1. Can the Genteel Writer Write the Local Novel?: Caroline Kirkland, Eliza Farnham, and Rose Terry Cooke Chapter 4 2. Travel Delays in the Commercial Countryside: Bret Harte and Sarah Orne Jewett Chapter 5 3. Travel Delays and Provincial Ambition: Rebecca Harding Davis and Thomas Detter Chapter 6 4. Realist Magic in the Country and the City: William Dean Howells Chapter 7 5. Angry Reform from Elsewhere in New England: Elizabeth Stuart Phelps Chapter 8 Epilogue 9 Notes 10 Bibliography 11 Index 12 About the Author
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