Designed to meet the needs of music theory courses this straightforward text emphasizes practicality and ease of use for both the student and the instructor. Its outstanding ancillary package, which includes a collection of audio examples on CD and an extensive Instructor’s Manual, rounds out the effective teaching package.
Designed to meet the needs of music theory courses this straightforward text emphasizes practicality and ease of use for both the student and the instructor. Its outstanding ancillary package, which includes a collection of audio examples on CD and an extensive Instructor’s Manual, rounds out the effective teaching package.
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Inhaltsangabe
Part I: FundamentalsChapter 1: Elements of PitchChapter 2: Elements of RhythmChapter 3: Introduction to Triads and Seventh ChordsChapter 4: Diatonic Chords in Major and Minor KeysPart II: Diatonic TriadsChapter 5: Principles of Voice LeadingChapter 6: Root Position Part WritingChapter 7: Harmonic ProgressionChapter 8: Triads in First InversionChapter 9: Triads in Second InversionChapter 10: Cadences, Phrases, Periods, and SentencesChapter 11: Two-Part Tonal CounterpointChapter 12: Non-Chord Tones 1Chapter 13: Nonchord Tones 2Part III: Diatonic Seventh ChordsChapter 14: The V7 ChordChapter 15: Other Diatonic Seventh ChordsPart IV: ChromaticismChapter 16: Secondary Functions 1Chapter 17: Secondary Functions 2Chapter 18: Modulations Using Diatonic Common ChordsChapter 19: Some Other Modulatory TechniquesChapter 20: Binary and Ternary FormsPart V: Chromaticism 2Chapter 21: Mode Mixture and the NeapolitanChapter 22: Augmented Sixth ChordsChapter 23: Enharmonic Spellings and Enharmonic ModulationsChapter 24: Further Elements of the Harmonic VocabularyChapter 25: Tonal Harmony in the Late Nineteenth CenturyPart VI: An Introduction to Twentieth-Century MusicChapter 26: Materials and TechniquesChapter 27: Post-Tonal Theory
Part I: FundamentalsChapter 1: Elements of PitchChapter 2: Elements of RhythmChapter 3: Introduction to Triads and Seventh ChordsChapter 4: Diatonic Chords in Major and Minor KeysPart II: Diatonic TriadsChapter 5: Principles of Voice LeadingChapter 6: Root Position Part WritingChapter 7: Harmonic ProgressionChapter 8: Triads in First InversionChapter 9: Triads in Second InversionChapter 10: Cadences, Phrases, Periods, and SentencesChapter 11: Two-Part Tonal CounterpointChapter 12: Non-Chord Tones 1Chapter 13: Nonchord Tones 2Part III: Diatonic Seventh ChordsChapter 14: The V7 ChordChapter 15: Other Diatonic Seventh ChordsPart IV: ChromaticismChapter 16: Secondary Functions 1Chapter 17: Secondary Functions 2Chapter 18: Modulations Using Diatonic Common ChordsChapter 19: Some Other Modulatory TechniquesChapter 20: Binary and Ternary FormsPart V: Chromaticism 2Chapter 21: Mode Mixture and the NeapolitanChapter 22: Augmented Sixth ChordsChapter 23: Enharmonic Spellings and Enharmonic ModulationsChapter 24: Further Elements of the Harmonic VocabularyChapter 25: Tonal Harmony in the Late Nineteenth CenturyPart VI: An Introduction to Twentieth-Century MusicChapter 26: Materials and TechniquesChapter 27: Post-Tonal Theory
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