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Re-examining film's potential as both an artistic and ideological discipline, Torn is the Curtain interrogates the relationship between early film cultures within Istanbul and ever-changing ideas of social transformation, highlighting how emergent ideas of post-colonialism, Orientalism, and feminism impacted Turkish spectatorship culture.

Produktbeschreibung
Re-examining film's potential as both an artistic and ideological discipline, Torn is the Curtain interrogates the relationship between early film cultures within Istanbul and ever-changing ideas of social transformation, highlighting how emergent ideas of post-colonialism, Orientalism, and feminism impacted Turkish spectatorship culture.
Autorenporträt
Canan Balan is a teaching fellow in Film at the University of Southampton and holds a PhD in Film Studies from the University of St Andrews. She has published numerous articles, book chapters and essays on early cinema, spectatorship, early film theory and film cultures in Istanbul and Turkey in English and Turkish. Her recent publications include: "Islam, Consciousness and Early Cinema: Said Nursî and the Cinema of God" (Film Philosophy, 2016) and "Sabahat Filmer" (Women Film Pioneers Project, 2023).