This book argues for the relevance, appropriateness, and usefulness of classical historical materialism to the musicological project. It begins by interrogating the history of encounters between music studies and Marxism before offering a framework for understanding style history in terms of changes in the forces and relations of musical production.
Bitte wählen Sie Ihr Anliegen aus.
Rechnungen
Retourenschein anfordern
Bestellstatus
Storno