Offering a new approach seen through a variety of frameworks, this groundbreaking publication reframes the narrative of American Art through the collection of the Brooklyn Museum.
Offering a new approach seen through a variety of frameworks, this groundbreaking publication reframes the narrative of American Art through the collection of the Brooklyn Museum.
Stephanie Sparling Williams is the Andrew W. Mellon Curator of American Art at the Brooklyn Museum. Additional contributors at the Brooklyn Museum: Caroline Gillaspie, Assistant Curator of American Art Grace Billingslea, Curatorial Assistant of American Art Nancy Rosoff, Andrew W. Mellon Curator of Arts of the Americas Dare Turner, Curator of Indigenous Art Catherine Futter, Director of Curatorial Affairs and Senior Curator of Decorative Arts Liz St. George, Assistant Curator of Decorative Arts
Inhaltsangabe
Director's Foreword Anne Pasternak, Shelby White and Leon Levy Director
Acknowledgments Stephanie Sparling Williams, Andrew W. Mellon Curator of American Art
New Frameworks for American Art Stephanie Sparling Williams
Through Gimlet Holes: New Visions for American Art EXPLORING THE SHOALS Leigh Raiford [FROM A PLACE OF LOVE] Leslie Wilson SOWING SEEDS, LAYING GROUND Kelli Morgan A BLACK MIRROR Brittany Webb A BLACK FEMINIST FRAMEWORK FOR THE DECORATIVE ARTS Tiffany Momon LOOK AGAIN Jonathan Michael Square BRAIN LOVE Xiao Situ UNTITLED Sará Yafah King
Framework: Trouble the Water CRITICAL SHORT: TROUBLED WATERS AND CURRENTS OF RESTORATION Caroline Gillaspie, Assistant Curator of American Art
Thanksgiving Address: Greetings to the Natural World
Framework: Radical Care CRITICAL SHORT: FRAMING THE WORLD THROUGH GRATITUDE Dare Turner, Curator of Indigenous Art
Framework: To Give Flowers CRITICAL SHORT: FROM OUR MOTHERS' GARDENS Grace Billingslea, Curatorial Assistant, Arts of the Americas and American Art
Framework: Counterparts CRITICAL SHORT: IN DIALOGUE Camille Bacon and Leslie Wilson
Framework: Surface Tension CRITICAL SHORT: THE DORSAL VIEW Stephanie Sparling Williams with Sena Amuzu and Madeleine Levinsohn
Framework: Several Seats CRITICAL SHORT: TO BE REAL! Caroline Gillaspie
Framework: A Quiet Place CRITICAL SHORT: REST LIFE Tricia Hersey
Framework: Witness CRITICAL SHORT: SHOWING OUR WORK Stephanie Sparling Williams
Director's Foreword Anne Pasternak, Shelby White and Leon Levy Director
Acknowledgments Stephanie Sparling Williams, Andrew W. Mellon Curator of American Art
New Frameworks for American Art Stephanie Sparling Williams
Through Gimlet Holes: New Visions for American Art EXPLORING THE SHOALS Leigh Raiford [FROM A PLACE OF LOVE] Leslie Wilson SOWING SEEDS, LAYING GROUND Kelli Morgan A BLACK MIRROR Brittany Webb A BLACK FEMINIST FRAMEWORK FOR THE DECORATIVE ARTS Tiffany Momon LOOK AGAIN Jonathan Michael Square BRAIN LOVE Xiao Situ UNTITLED Sará Yafah King
Framework: Trouble the Water CRITICAL SHORT: TROUBLED WATERS AND CURRENTS OF RESTORATION Caroline Gillaspie, Assistant Curator of American Art
Thanksgiving Address: Greetings to the Natural World
Framework: Radical Care CRITICAL SHORT: FRAMING THE WORLD THROUGH GRATITUDE Dare Turner, Curator of Indigenous Art
Framework: To Give Flowers CRITICAL SHORT: FROM OUR MOTHERS' GARDENS Grace Billingslea, Curatorial Assistant, Arts of the Americas and American Art
Framework: Counterparts CRITICAL SHORT: IN DIALOGUE Camille Bacon and Leslie Wilson
Framework: Surface Tension CRITICAL SHORT: THE DORSAL VIEW Stephanie Sparling Williams with Sena Amuzu and Madeleine Levinsohn
Framework: Several Seats CRITICAL SHORT: TO BE REAL! Caroline Gillaspie
Framework: A Quiet Place CRITICAL SHORT: REST LIFE Tricia Hersey
Framework: Witness CRITICAL SHORT: SHOWING OUR WORK Stephanie Sparling Williams
Contributor Biographies
Photography and Copyright Credits
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