Tracing Topographies
Revisiting the Concentration Camps Seventy Years after the Liberation of Auschwitz
Herausgeber: Pettitt, Joanne; Weiss, Vered
Tracing Topographies
Revisiting the Concentration Camps Seventy Years after the Liberation of Auschwitz
Herausgeber: Pettitt, Joanne; Weiss, Vered
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Seventy years on from the liberation of Auschwitz, this book traces the relationship between Nazi-occupied spaces and Holocaust memory, considering the multitude of ways in which the passing of time impacts upon, or shapes, cultural constructions of space.
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Seventy years on from the liberation of Auschwitz, this book traces the relationship between Nazi-occupied spaces and Holocaust memory, considering the multitude of ways in which the passing of time impacts upon, or shapes, cultural constructions of space.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 184
- Erscheinungstermin: 21. Januar 2019
- Englisch
- Abmessung: 246mm x 174mm x 11mm
- Gewicht: 331g
- ISBN-13: 9780367220167
- ISBN-10: 0367220164
- Artikelnr.: 56925084
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 184
- Erscheinungstermin: 21. Januar 2019
- Englisch
- Abmessung: 246mm x 174mm x 11mm
- Gewicht: 331g
- ISBN-13: 9780367220167
- ISBN-10: 0367220164
- Artikelnr.: 56925084
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Joanne Pettitt is based in the School of European Culture and Languages at the University of Kent, Canterbury, UK. Vered Weiss is a post-doc working in the Program in Jewish Culture and Society at the University of Illinois at Urbana-Champaign, USA.
Introduction Section one: geographies of the Holocaust 1. Life in space,
space in life: Nazi topographies, geographical imaginations, and Lebensraum
2. Controversies surrounding the excavation at Börneplatz, Frankfurt am
Main, 1987 Section two: remembering and experiencing the concentration
camps in the present day 3. "Romantic Auschwitz": examples and perceptions
of contemporary visitor photography at the Auschwitz-Birkenau State Museum
4. The concentration camp brothels in memory 5. The sacred, the profane,
and the space in between: site-specific performance at Auschwitz Section
three: filmic topographies 6. The cinematic city and the destruction of
Lublin's Jews 7. Transcultural engagement with Polish memory of the
Holocaust while watching Leszek Wosiewicz's Kornblumenblau Section four:
literary topographies 8. Post-witnessing the concentration camps: Paul
Auster's and Angela Morgan Cutler's investigative and imaginative
encounters with sites of mass murder 9. Extra-territorial places in W. G.
Sebald's Austerlitz 10. British representations of the camps Afterword
space in life: Nazi topographies, geographical imaginations, and Lebensraum
2. Controversies surrounding the excavation at Börneplatz, Frankfurt am
Main, 1987 Section two: remembering and experiencing the concentration
camps in the present day 3. "Romantic Auschwitz": examples and perceptions
of contemporary visitor photography at the Auschwitz-Birkenau State Museum
4. The concentration camp brothels in memory 5. The sacred, the profane,
and the space in between: site-specific performance at Auschwitz Section
three: filmic topographies 6. The cinematic city and the destruction of
Lublin's Jews 7. Transcultural engagement with Polish memory of the
Holocaust while watching Leszek Wosiewicz's Kornblumenblau Section four:
literary topographies 8. Post-witnessing the concentration camps: Paul
Auster's and Angela Morgan Cutler's investigative and imaginative
encounters with sites of mass murder 9. Extra-territorial places in W. G.
Sebald's Austerlitz 10. British representations of the camps Afterword
Introduction Section one: geographies of the Holocaust 1. Life in space,
space in life: Nazi topographies, geographical imaginations, and Lebensraum
2. Controversies surrounding the excavation at Börneplatz, Frankfurt am
Main, 1987 Section two: remembering and experiencing the concentration
camps in the present day 3. "Romantic Auschwitz": examples and perceptions
of contemporary visitor photography at the Auschwitz-Birkenau State Museum
4. The concentration camp brothels in memory 5. The sacred, the profane,
and the space in between: site-specific performance at Auschwitz Section
three: filmic topographies 6. The cinematic city and the destruction of
Lublin's Jews 7. Transcultural engagement with Polish memory of the
Holocaust while watching Leszek Wosiewicz's Kornblumenblau Section four:
literary topographies 8. Post-witnessing the concentration camps: Paul
Auster's and Angela Morgan Cutler's investigative and imaginative
encounters with sites of mass murder 9. Extra-territorial places in W. G.
Sebald's Austerlitz 10. British representations of the camps Afterword
space in life: Nazi topographies, geographical imaginations, and Lebensraum
2. Controversies surrounding the excavation at Börneplatz, Frankfurt am
Main, 1987 Section two: remembering and experiencing the concentration
camps in the present day 3. "Romantic Auschwitz": examples and perceptions
of contemporary visitor photography at the Auschwitz-Birkenau State Museum
4. The concentration camp brothels in memory 5. The sacred, the profane,
and the space in between: site-specific performance at Auschwitz Section
three: filmic topographies 6. The cinematic city and the destruction of
Lublin's Jews 7. Transcultural engagement with Polish memory of the
Holocaust while watching Leszek Wosiewicz's Kornblumenblau Section four:
literary topographies 8. Post-witnessing the concentration camps: Paul
Auster's and Angela Morgan Cutler's investigative and imaginative
encounters with sites of mass murder 9. Extra-territorial places in W. G.
Sebald's Austerlitz 10. British representations of the camps Afterword







