Erika Fischer-Lichte is Professor of Theatre Studies and the Director of the International Research Center 'Interweaving Performance Cultures' at Freie Universität Berlin. She has published widely in the fields of theatre history, theory and aesthetics of theatre, comparative aesthetics, and contemporary theatre, including several monographs in English: History of European Drama and Theatre (Routledge, 2002; previously published in German in 1990), Theatre, Sacrifice, Ritual. Exploring Forms of Political Theatre (Routledge, 2005), The Transformative Power of Performance: A New Aesthetics (Routledge, 2008; previously published in German in 2004), The Routledge Introduction to Theatre and Performance Studies (Routledge, 2014; previously published in German in 2010), and Dionysus Resurrected. Performances of Euripides' The Bacchae in a Globalizing World (Wiley-Blackwell, 2014).
Inhaltsangabe
* Frontmatter * List of Illustrations * Preface * 0: Introduction: Philhellenism and Theatromania * 1: Only With Beauty Man Shall Play: Goethe's Production of Ion in Weimar (1802) * 2: After the Institutionalization of Bildung: The Potsdam Antigone of 1841 * 3: Wagner's Gesamtkunstwerk and Nietzsche's Vision of Ancient Greek Theatre * 4: A Culture in Crisis: Max Reinhardt's Productions of Greek Tragedies (1903 19) * Sophocles'/Hofmannsthal's Electra Greek Maenad or Modern Hysteric? * Greek Tragedies in the Circus: Max Reinhardt's Theatre of the Five Thousand * 5: Hailing a Racial Kinship: Performances of Greek Tragedies during the Third Reich * Resurrecting Ancient Greece in Nazi Germany the Oresteia as Part of the Olympic Games in 1936 * Ancient Tragedies in Times of War the Case of Antigone * 6: Of Guilt and Archetypes: Post-War Productions of Greek Tragedies in the 1940s and 50s * Oedipus and the Question of Collective Guilt * Brecht's Antigone as a Model for Epic Theatre * In Search of the 'Universal Human' Gustav Rudolf Sellner's Productions of Greek Tragedies in the 1950s * 7: Inventing New Forms of Political Theatre * Linking Greek with other 'Naïve' Cultures Benno Besson's Oedipus Tyrant * Lehrstücke on the Imminent Disintegration of the State * Topicalizing the Tragedies of Ancient Greece: Hans Neuenfels' Medea (1976) and Christoph Nel's Antigone (1978) in Frankfurt * 8: On the Origins of Theatre and Its Link to the Past: The Schaubühne's Antiquity Projects of 1974 and 1980 * Antiquity Project I Peter Stein's Exercises for Actors and Klaus Michael Grüber's The Bacchae * Antiquity Project II Peter Stein's Oresteia: Reflections on the Historical Process * 9: Choric Theatre: Between Tragic Experience and Participatory Democracy * The Re-Birth of Tragedy out of the Chorus * Choric Protests and a Peaceful Revolution * Towards the Utopia of a Participatory Democracy * 10: Epilogue: The Return of Dionysus: From Festive Performance to Global Spectacle * Endmatter * Appendix * Bibliography * I. Greek Tragedies * II. Other Works Cited * III. Reviews and Programme Notes Cited * IV. Online References * V. Films * Index
* Frontmatter * List of Illustrations * Preface * 0: Introduction: Philhellenism and Theatromania * 1: Only With Beauty Man Shall Play: Goethe's Production of Ion in Weimar (1802) * 2: After the Institutionalization of Bildung: The Potsdam Antigone of 1841 * 3: Wagner's Gesamtkunstwerk and Nietzsche's Vision of Ancient Greek Theatre * 4: A Culture in Crisis: Max Reinhardt's Productions of Greek Tragedies (1903 19) * Sophocles'/Hofmannsthal's Electra Greek Maenad or Modern Hysteric? * Greek Tragedies in the Circus: Max Reinhardt's Theatre of the Five Thousand * 5: Hailing a Racial Kinship: Performances of Greek Tragedies during the Third Reich * Resurrecting Ancient Greece in Nazi Germany the Oresteia as Part of the Olympic Games in 1936 * Ancient Tragedies in Times of War the Case of Antigone * 6: Of Guilt and Archetypes: Post-War Productions of Greek Tragedies in the 1940s and 50s * Oedipus and the Question of Collective Guilt * Brecht's Antigone as a Model for Epic Theatre * In Search of the 'Universal Human' Gustav Rudolf Sellner's Productions of Greek Tragedies in the 1950s * 7: Inventing New Forms of Political Theatre * Linking Greek with other 'Naïve' Cultures Benno Besson's Oedipus Tyrant * Lehrstücke on the Imminent Disintegration of the State * Topicalizing the Tragedies of Ancient Greece: Hans Neuenfels' Medea (1976) and Christoph Nel's Antigone (1978) in Frankfurt * 8: On the Origins of Theatre and Its Link to the Past: The Schaubühne's Antiquity Projects of 1974 and 1980 * Antiquity Project I Peter Stein's Exercises for Actors and Klaus Michael Grüber's The Bacchae * Antiquity Project II Peter Stein's Oresteia: Reflections on the Historical Process * 9: Choric Theatre: Between Tragic Experience and Participatory Democracy * The Re-Birth of Tragedy out of the Chorus * Choric Protests and a Peaceful Revolution * Towards the Utopia of a Participatory Democracy * 10: Epilogue: The Return of Dionysus: From Festive Performance to Global Spectacle * Endmatter * Appendix * Bibliography * I. Greek Tragedies * II. Other Works Cited * III. Reviews and Programme Notes Cited * IV. Online References * V. Films * Index
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