Offers a genuinely original critical approach to a well-covered chapter in film history. A mix of history, theory and critical analysis gives the book a real sense of diversity and variety. Attends to unusual and overlooked films of the New Hollywood period, as well as canonical mainstays.
Offers a genuinely original critical approach to a well-covered chapter in film history. A mix of history, theory and critical analysis gives the book a real sense of diversity and variety. Attends to unusual and overlooked films of the New Hollywood period, as well as canonical mainstays.
Adam O'Brien teaches film studies at the universities of Bristol and Reading. He has published articles on ecocriticism and film in a number of journals, including Film Criticism, Journal of Media Practice, and ISLE: Interdisciplinary Studies in Literature and Environment.
Inhaltsangabe
List of illustrations Acknowledgements Prologue: A Typical Love Scene Introduction Chapter 1. Four Faces of New Hollywood Chapter 2. Resisting Abstraction Chapter 3. Rooting In and Lighting Out: New Hollywood and Genre Chapter 4. Regional Frames Chapter 5. Conditions, Technologies and Presence Conclusion: Coming to Terms with Mr. Meek Bibliography Index
List of illustrations Acknowledgements Prologue: A Typical Love Scene Introduction Chapter 1. Four Faces of New Hollywood Chapter 2. Resisting Abstraction Chapter 3. Rooting In and Lighting Out: New Hollywood and Genre Chapter 4. Regional Frames Chapter 5. Conditions, Technologies and Presence Conclusion: Coming to Terms with Mr. Meek Bibliography Index
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