This collection explores how the role of cinematography will evolve in an ever-increasing digitized industry in a transnational context. Contributors aim to bridge conversations about critical film studies and technical film practices while proposing that cinema has always been at the foreground of transnational culture.
This collection explores how the role of cinematography will evolve in an ever-increasing digitized industry in a transnational context. Contributors aim to bridge conversations about critical film studies and technical film practices while proposing that cinema has always been at the foreground of transnational culture.
Lindsay Coleman is writer and academic based in Melbourne, Australia. Daisuke Miyao isprofessor and Hajime Mori Chair in Japanese Language and Literature at the University of California, San Diego. Roberto Schaefer is member of the Academy of Motion Picture Arts and Sciences, BAFTA, the ASC, AIC and IMAGO.
Inhaltsangabe
Preface by Roberto Schaefer Introduction by Daisuke Miyao Chapter 1: Leviathan, by Lindsay Coleman Chapter 2: Five Functions of Camera Movement in Narrative Cinema, by Jakob Isak Nielsen Chapter 3: À Travers: The Cinematography of Depth in Japan, by Daisuke Miyao Chapter 4: The Eyes of the World: Christopher Doyle, Anthony Dod Mantle, Roger Deakins and the Emergence of a Transnational Cinematic Language, by Evan Lieberman Chapter 5: What Does it Mean to Say that Cinematography is Like Painting with Light?, by Patrick Keating Chapter 6: Hou Hsiao-hsien and Mark Lee Ping-bing: A Taiwanese Creative Team, by Peter H. Rist Chapter 7: The Making of Hong Kong: The Texture of Cinema, by Carlos Rojas Chapter 8: The Transnational Gothic Visions of Luis Buñuel and Gabriel Figueroa, by Ceri Higgins Chapter 9: Gravity and the 'Lighting Designer' Controversy: Cinematographers, Special Visual Effects Artists and the Rhetoric of Digital Convergence, by Julie Turnock About the Ed
Preface by Roberto Schaefer Introduction by Daisuke Miyao Chapter 1: Leviathan, by Lindsay Coleman Chapter 2: Five Functions of Camera Movement in Narrative Cinema, by Jakob Isak Nielsen Chapter 3: À Travers: The Cinematography of Depth in Japan, by Daisuke Miyao Chapter 4: The Eyes of the World: Christopher Doyle, Anthony Dod Mantle, Roger Deakins and the Emergence of a Transnational Cinematic Language, by Evan Lieberman Chapter 5: What Does it Mean to Say that Cinematography is Like Painting with Light?, by Patrick Keating Chapter 6: Hou Hsiao-hsien and Mark Lee Ping-bing: A Taiwanese Creative Team, by Peter H. Rist Chapter 7: The Making of Hong Kong: The Texture of Cinema, by Carlos Rojas Chapter 8: The Transnational Gothic Visions of Luis Buñuel and Gabriel Figueroa, by Ceri Higgins Chapter 9: Gravity and the 'Lighting Designer' Controversy: Cinematographers, Special Visual Effects Artists and the Rhetoric of Digital Convergence, by Julie Turnock About the Ed
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
