This book analyzes the complex conversations taking place in texts of all sorts traveling between Africans, African diasporas, and Japanese across disciplinary, geographic, racial, ethnic, and cultural borders.
This book analyzes the complex conversations taking place in texts of all sorts traveling between Africans, African diasporas, and Japanese across disciplinary, geographic, racial, ethnic, and cultural borders.
William H. Bridges is assistant professor of Japanese and Asian studies at St. Olaf College. Nina Cornyetz is associate professor of interdisciplinary studies at the Gallatin School for Individualized Study, New York University.
Inhaltsangabe
Part One: Art and Performance Chapter 1: Urban Geishas: Reading Race and Gender in iROZEALb's Paintings, Crystal Anderson Chapter 2: The Theatrics of Japanese Blackface: Body as Mannequin, Nina Cornyetz Chapter 3: Abbey Lincoln and Kazuko Shiraishi's Art-Making as Spiritual Labor, Yuichiro Onishi and Tia-Simone Gardner Part Two: Poetry and Literature Chapter 4: Playing the Dozens on Zen: Amiri Baraka's Journey from a "Pre-Black" Bohemian Outsider to a "Post-American Low Coup" Poet, Michio Arimitsu Chapter 5: Richard Wright's Haiku and Modernist Poetics, Yoshinobu Hakutani Chapter 6: In the Beginning: Blackness and the 1960s Creative Nonfiction of Ôe Kenzaburô, William H. Bridges IV Chapter 7: Future-Oriented Blackness in Sh¿wa Robot Culture-1924 to 1963, Anne McKnight Part Three: Sound, Song, Music Chapter 8: "This Is Who I Am": Jero and the Polycultural Politics of Black Enka, Kevin Fellezs Chapter 9: Extending Diaspora: The NAACP and Up-"Lift" Cultures in the Interwar Black Pacific, Shana Redmond Chapter 10: Hip-Hop and Reggae in Recent Japanese Social Movements, Noriko Manabe Chapter 11: Can the Japanese Rap?, Dexter Thomas Jr. Chapter 12: Race, Ethnicity and Affective Community in Japanese Rastafari, Marvin Sterling
Part One: Art and Performance Chapter 1: Urban Geishas: Reading Race and Gender in iROZEALb's Paintings, Crystal Anderson Chapter 2: The Theatrics of Japanese Blackface: Body as Mannequin, Nina Cornyetz Chapter 3: Abbey Lincoln and Kazuko Shiraishi's Art-Making as Spiritual Labor, Yuichiro Onishi and Tia-Simone Gardner Part Two: Poetry and Literature Chapter 4: Playing the Dozens on Zen: Amiri Baraka's Journey from a "Pre-Black" Bohemian Outsider to a "Post-American Low Coup" Poet, Michio Arimitsu Chapter 5: Richard Wright's Haiku and Modernist Poetics, Yoshinobu Hakutani Chapter 6: In the Beginning: Blackness and the 1960s Creative Nonfiction of Ôe Kenzaburô, William H. Bridges IV Chapter 7: Future-Oriented Blackness in Sh¿wa Robot Culture-1924 to 1963, Anne McKnight Part Three: Sound, Song, Music Chapter 8: "This Is Who I Am": Jero and the Polycultural Politics of Black Enka, Kevin Fellezs Chapter 9: Extending Diaspora: The NAACP and Up-"Lift" Cultures in the Interwar Black Pacific, Shana Redmond Chapter 10: Hip-Hop and Reggae in Recent Japanese Social Movements, Noriko Manabe Chapter 11: Can the Japanese Rap?, Dexter Thomas Jr. Chapter 12: Race, Ethnicity and Affective Community in Japanese Rastafari, Marvin Sterling
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