Examining a range of popular cultural production, from music and dance to theater and film, this book explores how transatlantic and inter-American artistic exchanges redefined Brazilian identity, especially the perception of "race".
Examining a range of popular cultural production, from music and dance to theater and film, this book explores how transatlantic and inter-American artistic exchanges redefined Brazilian identity, especially the perception of "race".
LISA SHAW is a reader in Portuguese and Brazilian studies at the University of Liverpool. She has authored or edited seven previous books, including Carmen Miranda and The Social History of the Brazilian Samba.
Inhaltsangabe
* Acknowledgments * Introduction * 1. Afro-Brazilian Performance on Rio de Janeiro’s Popular Stages from the 1880s to the Long 1920s * 2. The Rio de Janeiro–Paris Performance Axis in the First Decades of the Twentieth Century: Duque, the Oito Batutas, and the Question of “Race” * 3. The Teatro de Revista in Rio de Janeiro in the Long 1920s: Transnational Dialogues and Cosmopolitan Black Performance * 4. The Cultural Migrations of the Stage and Screen Baiana, 1889–1950s * Conclusion * Notes * Bibliography * Index
* Acknowledgments * Introduction * 1. Afro-Brazilian Performance on Rio de Janeiro’s Popular Stages from the 1880s to the Long 1920s * 2. The Rio de Janeiro–Paris Performance Axis in the First Decades of the Twentieth Century: Duque, the Oito Batutas, and the Question of “Race” * 3. The Teatro de Revista in Rio de Janeiro in the Long 1920s: Transnational Dialogues and Cosmopolitan Black Performance * 4. The Cultural Migrations of the Stage and Screen Baiana, 1889–1950s * Conclusion * Notes * Bibliography * Index
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