Turkish German Cinema in the New Millennium
Sites, Sounds, and Screens
Herausgeber: Hake, Sabine; Mennel, Barbara
Turkish German Cinema in the New Millennium
Sites, Sounds, and Screens
Herausgeber: Hake, Sabine; Mennel, Barbara
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First book on Turkish German cinema An anthology featuring the main scholars working on the subject New methodologies to discuss the culture of migration Multiple approaches to minority cultural production in the contemporary European context
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First book on Turkish German cinema An anthology featuring the main scholars working on the subject New methodologies to discuss the culture of migration Multiple approaches to minority cultural production in the contemporary European context
Produktdetails
- Produktdetails
- Verlag: Berghahn Books
- Seitenzahl: 260
- Erscheinungstermin: 1. September 2014
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 382g
- ISBN-13: 9781782386650
- ISBN-10: 1782386653
- Artikelnr.: 41454206
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Berghahn Books
- Seitenzahl: 260
- Erscheinungstermin: 1. September 2014
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 382g
- ISBN-13: 9781782386650
- ISBN-10: 1782386653
- Artikelnr.: 41454206
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Sabine Hake is the Texas Chair of German Literature and Culture at the University of Texas at Austin.
Introduction
PART I: CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES
Chapter 1. My Big Fat Turkish Wedding: From Culture Clash to Romcom
Daniela Berghahn
Chapter 2. The Oblivion of Influence: Transmigration, Tropology, and
Myth-Makingin Feo Aladag's When We Leave
David Gramling
Chapter 3. The Minor Cinema of Thomas Arslan: A Prolegomenon
Marco Abel
PART II: MULTIPLE SCREENS AND PLATFORMS: FROM DCOUMENTARY AND TELEVISION TO
INSTALLATION ART
Chapter 4. Roots and Routes of the Diasporic Documentarian: A
Psychogeography of Fatih Akin's We Forgot to Go Back
Angelica Fenner
Chapter 5. Gendered Kicks: Buket Alakus's and Aysun Bademsoy's Soccer Films
Ingeborg Majer-O'Sickey
Chapter 6. Location and Mobility in Kutlug Ataman's Site-specific Video
Installation Küba
Nilgun Bayraktar
Chapter 7. Turkish for Beginners: Teaching Cosmopolitanism to Germans
Brent Peterson
Chapter 8. "Only the Wounded Honor Fights": Züli Aladag's Rageand the Drama
of the Turkish German Perpetrator
Brad Prager
PART III: INSTITUTIONAL CONTEXTS: STARS, THEATRES, AND RECEPTON
Chapter 9. The German Turkish Spectator and Turkish Language Film
Programming: Karli-Kino, Maxximum Distribution, and the Interzone Cinema
Randall Halle
Chapter 10. Mehmet Kurtulus and Birol Ünel: Sexualized Masculinities,
Normalized Ethnicities
Berna Gueneli
Chapter 11. The Perception and Marketing of Fatih Akin in the German Press
Karolin Machtans
Chapter 12. Hyphenated Identities: The Reception of Turkish German Cinema
in the Turkish Daily Press
Ayça Tunç Cox
PART IV: THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND
Chapter 13. Cosmopolitan Filmmaking: Fatih Akin's In July and Head-On
Mine Eren
Chapter 14. Remixing Hamburg: Transnationalism in Fatih Akin's Soul Kitchen
Roger Hillman and Vivien Silvey
Chapter 15. World Cinema Goes Digital: Looking at Europe from the Other
Shore
Deniz Göktürk
Notes on Contributors
Works Cited
Index of Names
Index of Films
PART I: CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES
Chapter 1. My Big Fat Turkish Wedding: From Culture Clash to Romcom
Daniela Berghahn
Chapter 2. The Oblivion of Influence: Transmigration, Tropology, and
Myth-Makingin Feo Aladag's When We Leave
David Gramling
Chapter 3. The Minor Cinema of Thomas Arslan: A Prolegomenon
Marco Abel
PART II: MULTIPLE SCREENS AND PLATFORMS: FROM DCOUMENTARY AND TELEVISION TO
INSTALLATION ART
Chapter 4. Roots and Routes of the Diasporic Documentarian: A
Psychogeography of Fatih Akin's We Forgot to Go Back
Angelica Fenner
Chapter 5. Gendered Kicks: Buket Alakus's and Aysun Bademsoy's Soccer Films
Ingeborg Majer-O'Sickey
Chapter 6. Location and Mobility in Kutlug Ataman's Site-specific Video
Installation Küba
Nilgun Bayraktar
Chapter 7. Turkish for Beginners: Teaching Cosmopolitanism to Germans
Brent Peterson
Chapter 8. "Only the Wounded Honor Fights": Züli Aladag's Rageand the Drama
of the Turkish German Perpetrator
Brad Prager
PART III: INSTITUTIONAL CONTEXTS: STARS, THEATRES, AND RECEPTON
Chapter 9. The German Turkish Spectator and Turkish Language Film
Programming: Karli-Kino, Maxximum Distribution, and the Interzone Cinema
Randall Halle
Chapter 10. Mehmet Kurtulus and Birol Ünel: Sexualized Masculinities,
Normalized Ethnicities
Berna Gueneli
Chapter 11. The Perception and Marketing of Fatih Akin in the German Press
Karolin Machtans
Chapter 12. Hyphenated Identities: The Reception of Turkish German Cinema
in the Turkish Daily Press
Ayça Tunç Cox
PART IV: THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND
Chapter 13. Cosmopolitan Filmmaking: Fatih Akin's In July and Head-On
Mine Eren
Chapter 14. Remixing Hamburg: Transnationalism in Fatih Akin's Soul Kitchen
Roger Hillman and Vivien Silvey
Chapter 15. World Cinema Goes Digital: Looking at Europe from the Other
Shore
Deniz Göktürk
Notes on Contributors
Works Cited
Index of Names
Index of Films
Introduction
PART I: CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES
Chapter 1. My Big Fat Turkish Wedding: From Culture Clash to Romcom
Daniela Berghahn
Chapter 2. The Oblivion of Influence: Transmigration, Tropology, and
Myth-Makingin Feo Aladag's When We Leave
David Gramling
Chapter 3. The Minor Cinema of Thomas Arslan: A Prolegomenon
Marco Abel
PART II: MULTIPLE SCREENS AND PLATFORMS: FROM DCOUMENTARY AND TELEVISION TO
INSTALLATION ART
Chapter 4. Roots and Routes of the Diasporic Documentarian: A
Psychogeography of Fatih Akin's We Forgot to Go Back
Angelica Fenner
Chapter 5. Gendered Kicks: Buket Alakus's and Aysun Bademsoy's Soccer Films
Ingeborg Majer-O'Sickey
Chapter 6. Location and Mobility in Kutlug Ataman's Site-specific Video
Installation Küba
Nilgun Bayraktar
Chapter 7. Turkish for Beginners: Teaching Cosmopolitanism to Germans
Brent Peterson
Chapter 8. "Only the Wounded Honor Fights": Züli Aladag's Rageand the Drama
of the Turkish German Perpetrator
Brad Prager
PART III: INSTITUTIONAL CONTEXTS: STARS, THEATRES, AND RECEPTON
Chapter 9. The German Turkish Spectator and Turkish Language Film
Programming: Karli-Kino, Maxximum Distribution, and the Interzone Cinema
Randall Halle
Chapter 10. Mehmet Kurtulus and Birol Ünel: Sexualized Masculinities,
Normalized Ethnicities
Berna Gueneli
Chapter 11. The Perception and Marketing of Fatih Akin in the German Press
Karolin Machtans
Chapter 12. Hyphenated Identities: The Reception of Turkish German Cinema
in the Turkish Daily Press
Ayça Tunç Cox
PART IV: THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND
Chapter 13. Cosmopolitan Filmmaking: Fatih Akin's In July and Head-On
Mine Eren
Chapter 14. Remixing Hamburg: Transnationalism in Fatih Akin's Soul Kitchen
Roger Hillman and Vivien Silvey
Chapter 15. World Cinema Goes Digital: Looking at Europe from the Other
Shore
Deniz Göktürk
Notes on Contributors
Works Cited
Index of Names
Index of Films
PART I: CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES
Chapter 1. My Big Fat Turkish Wedding: From Culture Clash to Romcom
Daniela Berghahn
Chapter 2. The Oblivion of Influence: Transmigration, Tropology, and
Myth-Makingin Feo Aladag's When We Leave
David Gramling
Chapter 3. The Minor Cinema of Thomas Arslan: A Prolegomenon
Marco Abel
PART II: MULTIPLE SCREENS AND PLATFORMS: FROM DCOUMENTARY AND TELEVISION TO
INSTALLATION ART
Chapter 4. Roots and Routes of the Diasporic Documentarian: A
Psychogeography of Fatih Akin's We Forgot to Go Back
Angelica Fenner
Chapter 5. Gendered Kicks: Buket Alakus's and Aysun Bademsoy's Soccer Films
Ingeborg Majer-O'Sickey
Chapter 6. Location and Mobility in Kutlug Ataman's Site-specific Video
Installation Küba
Nilgun Bayraktar
Chapter 7. Turkish for Beginners: Teaching Cosmopolitanism to Germans
Brent Peterson
Chapter 8. "Only the Wounded Honor Fights": Züli Aladag's Rageand the Drama
of the Turkish German Perpetrator
Brad Prager
PART III: INSTITUTIONAL CONTEXTS: STARS, THEATRES, AND RECEPTON
Chapter 9. The German Turkish Spectator and Turkish Language Film
Programming: Karli-Kino, Maxximum Distribution, and the Interzone Cinema
Randall Halle
Chapter 10. Mehmet Kurtulus and Birol Ünel: Sexualized Masculinities,
Normalized Ethnicities
Berna Gueneli
Chapter 11. The Perception and Marketing of Fatih Akin in the German Press
Karolin Machtans
Chapter 12. Hyphenated Identities: The Reception of Turkish German Cinema
in the Turkish Daily Press
Ayça Tunç Cox
PART IV: THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND
Chapter 13. Cosmopolitan Filmmaking: Fatih Akin's In July and Head-On
Mine Eren
Chapter 14. Remixing Hamburg: Transnationalism in Fatih Akin's Soul Kitchen
Roger Hillman and Vivien Silvey
Chapter 15. World Cinema Goes Digital: Looking at Europe from the Other
Shore
Deniz Göktürk
Notes on Contributors
Works Cited
Index of Names
Index of Films







