Tyler Bickford traces the dramatic rise of the “tween” pop music industry, showing how it marshaled childishness as a key element in legitimizing children's participation in public culture.
Tyler Bickford traces the dramatic rise of the “tween” pop music industry, showing how it marshaled childishness as a key element in legitimizing children's participation in public culture.
Tyler Bickford is Associate Professor of English at the University of Pittsburgh and author of Schooling New Media: Music, Language, and Technology in Children's Culture.
Inhaltsangabe
Acknowledgments vii Introduction. The Tween Moment 1 1. Singing Along 41 2. Music Television 56 3. "Having It All" 87 4. The Whiteness of Tween Innocence 106 5. The Tween Prodigy at Home and Online 140 Conclusion. After the Tween Moment 167 Notes 187 References 197 Index 221
Acknowledgments vii Introduction. The Tween Moment 1 1. Singing Along 41 2. Music Television 56 3. "Having It All" 87 4. The Whiteness of Tween Innocence 106 5. The Tween Prodigy at Home and Online 140 Conclusion. After the Tween Moment 167 Notes 187 References 197 Index 221
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