This volume focuses on Mantrankam and Anguliyankam, the two great masterpieces of Kutiyattam. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history. Authored by scholars and active Kutiyattam performers, this is the first attempt to bring together a set of sustained, multi-faceted interpretations of these masterpieces-in-performance.
This volume focuses on Mantrankam and Anguliyankam, the two great masterpieces of Kutiyattam. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history. Authored by scholars and active Kutiyattam performers, this is the first attempt to bring together a set of sustained, multi-faceted interpretations of these masterpieces-in-performance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Heike Oberlin is Associate Professor, Department of Indology, University of Tübingen, Germany. David Shulman is Professor Emeritus, Department of Asian Studies, Hebrew University of Jerusalem, Israel.
Inhaltsangabe
* Foreword * Introduction * Opening Up * 1: Sudha Gopalakrishnan: Anguliyankam and Mantrankam : Two Wondrous Crest Jewels of Kutiyattam * 2: Lyne Bansat-Boudon: Some Remarks on the Ascaryacudamani : Reflections, Reflexivity, and Wonder * Mantrankam * 3: Heike Oberlin: Mantrankam, an Ancient Integration Project? Its Structure and Composition * 4: David Shulman: What is Mantrankam? * 5: Orly Hadani Nave: Pracchana Barhaspatyam : Irony and Illusion, Reality, Reflection, and Play in Mantrankam * 6: Hemdat Salay: Reflection and Arul: Creating Siva on the Kutiyattam Stage * 7: Indu G.: Vasantaka: Personal Considerations from Within the Practice * 8: Elena Mucciarelli: Mantrankam : An Arena for Experimentation * 9: Ophira Gamliel: The Mantrankam Paribhasa from a Historical Linguistics Perspective * 10: Elena Mucciarelli and Heike Oberlin: Tying the Universe: The Interplay of Veda and Kutiyattam with Special Reference to Mantrankam * Anguliyankam * 11: Virginie Johan: Anguliyankam, Ramayana-Veda of the Cakyars * 12: P.K.M. Bhadra and Rajneesh B.: Anguliyankam : The Natyaveda of Kutiyattam * 13: Einat Bar-On Cohen: The World of Hanuman: Creating a Fluid Cosmos on a Kerala Kutiyattam Stage * 14: Ammannur Kuttan Chakyar and Aparna Nangiar: Distinct Conventions in the Staging of Anguliyankam Kuttu * Tying Up * 15: Margi Madhu Chakyar: My Experience of Performing Anguliyankam and Mantrankam * 16: Manu V. Devadevan: Knowing and Being: Kutiyattam and Its Semantic Universe * 17: Sivan Goren Arzony: An Actor in Red and White: The Cakyar Community and the Early Manipravalam Corpus * Note on the Contributors * Index
* Foreword * Introduction * Opening Up * 1: Sudha Gopalakrishnan: Anguliyankam and Mantrankam : Two Wondrous Crest Jewels of Kutiyattam * 2: Lyne Bansat-Boudon: Some Remarks on the Ascaryacudamani : Reflections, Reflexivity, and Wonder * Mantrankam * 3: Heike Oberlin: Mantrankam, an Ancient Integration Project? Its Structure and Composition * 4: David Shulman: What is Mantrankam? * 5: Orly Hadani Nave: Pracchana Barhaspatyam : Irony and Illusion, Reality, Reflection, and Play in Mantrankam * 6: Hemdat Salay: Reflection and Arul: Creating Siva on the Kutiyattam Stage * 7: Indu G.: Vasantaka: Personal Considerations from Within the Practice * 8: Elena Mucciarelli: Mantrankam : An Arena for Experimentation * 9: Ophira Gamliel: The Mantrankam Paribhasa from a Historical Linguistics Perspective * 10: Elena Mucciarelli and Heike Oberlin: Tying the Universe: The Interplay of Veda and Kutiyattam with Special Reference to Mantrankam * Anguliyankam * 11: Virginie Johan: Anguliyankam, Ramayana-Veda of the Cakyars * 12: P.K.M. Bhadra and Rajneesh B.: Anguliyankam : The Natyaveda of Kutiyattam * 13: Einat Bar-On Cohen: The World of Hanuman: Creating a Fluid Cosmos on a Kerala Kutiyattam Stage * 14: Ammannur Kuttan Chakyar and Aparna Nangiar: Distinct Conventions in the Staging of Anguliyankam Kuttu * Tying Up * 15: Margi Madhu Chakyar: My Experience of Performing Anguliyankam and Mantrankam * 16: Manu V. Devadevan: Knowing and Being: Kutiyattam and Its Semantic Universe * 17: Sivan Goren Arzony: An Actor in Red and White: The Cakyar Community and the Early Manipravalam Corpus * Note on the Contributors * Index
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