From the wood floor of an art museum buckling with Lake Michigan moisture, to the mud-packed hooves of the horse of childhood, to an art student’s spit on a pane of glass, the poems’ images string together a necklace of exquisite longing. They invite exploration of the vulnerability and insistence that mark one’s devotion to any creative practice.
From the wood floor of an art museum buckling with Lake Michigan moisture, to the mud-packed hooves of the horse of childhood, to an art student’s spit on a pane of glass, the poems’ images string together a necklace of exquisite longing. They invite exploration of the vulnerability and insistence that mark one’s devotion to any creative practice.
Sara Ellen Fowler is a writer, artist, and educator living in California. Her writing has appeared in The Offing, X-TRA Contemporary Art Journal, Interim, and Gigantic Sequins, among others. Her work has been supported by The Frost Place, the Ashbery Home School, and Community of Writers. In 2023, she was awarded a California Arts Council Individual Artist Fellowship. Sara holds a BFA in Sculpture from Art Center College of Design and an MFA in Creative Writing from the University of California, Riverside.
Inhaltsangabe
Good Mare I. WARNING STARS Glassell Park The Cutters I do not comprehend the current traveling Window Lithium Portrait with water Velvet Old Paint II. STILL LIFE Painted monument in the night of my body Reading with Temperature One cannot pray to the horses You come for me Engram Untitled (daemon) Black licorice Valentine, Night Shirt Aloud Garnet What I mean by temperature III. A LOOSE EXTENSION OF AN EARLIER MEANING [I learn to lick] [I learn tension] [Because I am skulled with the thought] [I learn to prepare the ground] [stay the gun and tawn-amber] [Just give me a job] [A postcard] IV. OLD BOND My mother was a barrel racer On the poet’s thirtieth birthday, 1962 Reading Plath Light’s loose skin Right After, 1969 Elegy for Skip Lanz Rest Nightjar V. RECEIVER Chicken Mare and all Whole Snowblink Bracelet for Who I Was Bezel for my mind Texture Ars Poetica Blue-brown morning, I step through common starlings Receiver Parachute Notes Acknowledgments
Good Mare I. WARNING STARS Glassell Park The Cutters I do not comprehend the current traveling Window Lithium Portrait with water Velvet Old Paint II. STILL LIFE Painted monument in the night of my body Reading with Temperature One cannot pray to the horses You come for me Engram Untitled (daemon) Black licorice Valentine, Night Shirt Aloud Garnet What I mean by temperature III. A LOOSE EXTENSION OF AN EARLIER MEANING [I learn to lick] [I learn tension] [Because I am skulled with the thought] [I learn to prepare the ground] [stay the gun and tawn-amber] [Just give me a job] [A postcard] IV. OLD BOND My mother was a barrel racer On the poet’s thirtieth birthday, 1962 Reading Plath Light’s loose skin Right After, 1969 Elegy for Skip Lanz Rest Nightjar V. RECEIVER Chicken Mare and all Whole Snowblink Bracelet for Who I Was Bezel for my mind Texture Ars Poetica Blue-brown morning, I step through common starlings Receiver Parachute Notes Acknowledgments
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