This book advances an understanding of cultural diplomacy that examines a single area of government and private sector partnership, and what became in the mid-twentieth century the most prominent manifestation of this alliance—the cultural exhibitions sent abroad to "tell America’s story" with the goal of "winning hearts and minds."
This book advances an understanding of cultural diplomacy that examines a single area of government and private sector partnership, and what became in the mid-twentieth century the most prominent manifestation of this alliance—the cultural exhibitions sent abroad to "tell America’s story" with the goal of "winning hearts and minds."
Introduction Chapter 1: From Megafauna to Megashows to the MoMA: A Historical Overview of U.S. Cultural Exhibitions Abroad Chapter 2: Confusion Makes Its Masterpiece: U.S. Participation in 1950s Trade Fairs Chapter 3: A "Carefully Planned Bombardment:" The American National Exhibition in Moscow, 1959 Chapter 4: Of Pleasure Domes and Moon Rocks: The U.S. at the Montreal and Osaka Expos, 1965-1970 Chapter 5: The Unfinished Reality of Our Revolutionary Experiment: The World of Franklin and Jefferson, 1971-1977 Conclusion Bibliography
Introduction Chapter 1: From Megafauna to Megashows to the MoMA: A Historical Overview of U.S. Cultural Exhibitions Abroad Chapter 2: Confusion Makes Its Masterpiece: U.S. Participation in 1950s Trade Fairs Chapter 3: A "Carefully Planned Bombardment:" The American National Exhibition in Moscow, 1959 Chapter 4: Of Pleasure Domes and Moon Rocks: The U.S. at the Montreal and Osaka Expos, 1965-1970 Chapter 5: The Unfinished Reality of Our Revolutionary Experiment: The World of Franklin and Jefferson, 1971-1977 Conclusion Bibliography
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