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Erscheint vorauss. 27. Januar 2026
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In the dangerous world of Southeast Asia's illicit antiquities trade, a curator's search for a missing colleague uncovers a decades-old conspiracy-and a stolen artifact that could unravel it all. When art curator Sarah Burroughs glimpses a half-hidden Khmer sculpture in her mentor's Bangkok apartment, she doesn't yet realize she's staring at Uma's head, a stolen national treasure-and a clue to a dangerous secret. Across the border in Cambodia, fellow curator Sam Heng uncovers a shocking diary written at the start of the Khmer Rouge's brutal reign-by the father he never knew. Soon after, Heng…mehr

Produktbeschreibung
In the dangerous world of Southeast Asia's illicit antiquities trade, a curator's search for a missing colleague uncovers a decades-old conspiracy-and a stolen artifact that could unravel it all. When art curator Sarah Burroughs glimpses a half-hidden Khmer sculpture in her mentor's Bangkok apartment, she doesn't yet realize she's staring at Uma's head, a stolen national treasure-and a clue to a dangerous secret. Across the border in Cambodia, fellow curator Sam Heng uncovers a shocking diary written at the start of the Khmer Rouge's brutal reign-by the father he never knew. Soon after, Heng vanishes without a trace. Thrust into the criminal underworld of antiquities trafficking, Sarah must join forces with a mysterious government official to find her missing colleague. What begins as a research trip for a museum exhibition spirals into a harrowing rescue mission through Bangkok, Phnom Penh, and Angkor's ancient temples. Inspired by historical events, Uma's Head is a gripping mystery that explores the depths of friendship and betrayal, the long and lasting effects of war, and the devastating looting of irreplaceable material heritage.
Autorenporträt
Kristin Kelly is an art historian and former museum professional who first fell in love with Southeast Asia on a trip to Vietnam in 1993. She has authored two nonfiction books on Southeast Asian cultural heritage and lectured for Bryn Mawr College's Alumnae Association travel program. A longtime Californian, her thirty-five-year career in museums and cultural heritage included significant time with the Getty Trust. She holds an AB in history of art from Bryn Mawr College and a PhD in art history and archaeology from Columbia University.