Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays…mehr
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
Kathryn Bunn-Marcuse is director of the Bill Holm Center for the Study of Northwest Native Art, curator of northwest Native art at the Burke Museum, assistant professor of art history at the University of Washington, and coeditor of In the Spirit of the Ancestors: Contemporary Northwest Coast Art at the Burke Museum. Aldona Jonaitis is former director of the University of Alaska Museum of the North, professor of anthropology at the University of Alaska Fairbanks, and author of Art of the Northwest Coast andThe Yuquot Whalers' Shrine. The other contributors are Karen Benbassat Ali, Janet Catherine Berlo, Iljuuwaas Tyson Brown (Haida Nation), Jisgang Nika Collison (Haida Nation), Karen Duffek, Sharon Fortney (Klahoose), Christopher Green, Denise Nicole Green, Ishmael Hope (Inupiaq and Tlingit), Lily Hope (Tlingit), Kaitlin McCormick, Emily L. Moore, Peter Morin (Tahltan Nation), Lou-ann Ika'wega Neel (Kwakwäkä'wakw), Duane Niatum (Jamestown S'Klallam), Megan A. Smetzer, Robert Starbard (Xunaa Tlingit), Evelyn Vanderhoop (Haida Nation), and Lucy Fowler Williams.
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Introduction Kathryn Bunn-Marcuse PART I. Cultural Heritage Protection: Questions of Rights and Authority A Bear in the Cedar, by Duane Niatum Chapter 1. The Seward Shame Pole: A Tlingit Countermonument to the Alaska Purchase Emily L. Moore Chapter 2. The Social Life of Stones: Haida hlg¿as7agaa/argillite and the Making of Inalienable Commodities Kaitlin McCormick Chapter 3. Morse Code for Creation: Jim Schoppert's Painterly Language for a Postmodern Revival Christopher Green Chapter 4. From "Artifakes" to "Surrogates": The Replication of Northwest Coast Carving by Non-Natives Janet Catherine Berlo and Aldona Jonaitis PART II. Women's Work: Stories, Art, and Power One Square Inch, by Lily Hope Chapter 5. Stl'inll ~ Those with Clever Hands: Presenting Female Indigenous Art and Scholarship Jisgang Nika Collison Chapter 6. Copper Seaweed and Woven Octopus Bags: Shgen George and the Art of Resilience Megan A. Smetzer Chapter 7. Ellen Neel and Carving on the Coast: Three Decades of Change and Renewal Lou-ann Ika'wega Neel PART III. Changing Museums Let Indigenous Reign, by Ishmael Hope Chapter 8. In the Spirit of Reconciliation: Rethinking Collections and the Act of Engagement at the Museum of Vancouver Sharon Fortney Chapter 9. The Museum Disappeared: Northwest Coast Art and the Object of Display Karen Duffek, Peter Morin, and Karen Benbassat Ali Chapter 10. From Behind-the-Scenes to the Front of the House: Here & Now: Native Artists Inspired at the Burke Museum Kathryn Bunn-Marcuse Chapter 11. Woosh.Jee.Een, Pulling Together: Repatriation's Healing Tide Lucy Fowler Williams, with contributions by Robert Starbard PART IV. Beyond Art Thoughts on Formline, by Iljuuwaas Tyson Brown Chapter 12. Soft Robes of Thundering Power: Mountain Goat Fiber Textiles of the Northwest Coast Evelyn Vanderhoop Chapter 13. Sayach'apis and the Naani (Grizzly Bear) Crest Denise Nicole Green Chapter 14. Tlingit Art Ishmael Hope Conclusion. Fifty Years Studying Northwest Coast Art: A Personal View Aldona Jonaitis Contributors Index
Introduction Kathryn Bunn-Marcuse PART I. Cultural Heritage Protection: Questions of Rights and Authority A Bear in the Cedar, by Duane Niatum Chapter 1. The Seward Shame Pole: A Tlingit Countermonument to the Alaska Purchase Emily L. Moore Chapter 2. The Social Life of Stones: Haida hlg¿as7agaa/argillite and the Making of Inalienable Commodities Kaitlin McCormick Chapter 3. Morse Code for Creation: Jim Schoppert's Painterly Language for a Postmodern Revival Christopher Green Chapter 4. From "Artifakes" to "Surrogates": The Replication of Northwest Coast Carving by Non-Natives Janet Catherine Berlo and Aldona Jonaitis PART II. Women's Work: Stories, Art, and Power One Square Inch, by Lily Hope Chapter 5. Stl'inll ~ Those with Clever Hands: Presenting Female Indigenous Art and Scholarship Jisgang Nika Collison Chapter 6. Copper Seaweed and Woven Octopus Bags: Shgen George and the Art of Resilience Megan A. Smetzer Chapter 7. Ellen Neel and Carving on the Coast: Three Decades of Change and Renewal Lou-ann Ika'wega Neel PART III. Changing Museums Let Indigenous Reign, by Ishmael Hope Chapter 8. In the Spirit of Reconciliation: Rethinking Collections and the Act of Engagement at the Museum of Vancouver Sharon Fortney Chapter 9. The Museum Disappeared: Northwest Coast Art and the Object of Display Karen Duffek, Peter Morin, and Karen Benbassat Ali Chapter 10. From Behind-the-Scenes to the Front of the House: Here & Now: Native Artists Inspired at the Burke Museum Kathryn Bunn-Marcuse Chapter 11. Woosh.Jee.Een, Pulling Together: Repatriation's Healing Tide Lucy Fowler Williams, with contributions by Robert Starbard PART IV. Beyond Art Thoughts on Formline, by Iljuuwaas Tyson Brown Chapter 12. Soft Robes of Thundering Power: Mountain Goat Fiber Textiles of the Northwest Coast Evelyn Vanderhoop Chapter 13. Sayach'apis and the Naani (Grizzly Bear) Crest Denise Nicole Green Chapter 14. Tlingit Art Ishmael Hope Conclusion. Fifty Years Studying Northwest Coast Art: A Personal View Aldona Jonaitis Contributors Index
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