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"This book explores how women who have experienced gender-based violence within the music industry represent and construct this violence through their creative and public-facing outputs. Analysis of three key case studies - Kesha, Lingua Ignota, and Alice Glass - demonstrates that gender-based violence influences creative productions. The representation of this abuse is identified in the artists' music, lyrics, and visual accompaniments and the incorporation of their experiences and responses to abuse in their public personas. The authors uncover what it is about the music industry itself that…mehr

Produktbeschreibung
"This book explores how women who have experienced gender-based violence within the music industry represent and construct this violence through their creative and public-facing outputs. Analysis of three key case studies - Kesha, Lingua Ignota, and Alice Glass - demonstrates that gender-based violence influences creative productions. The representation of this abuse is identified in the artists' music, lyrics, and visual accompaniments and the incorporation of their experiences and responses to abuse in their public personas. The authors uncover what it is about the music industry itself that might facilitate or enable such experiences and perpetuate abuse"--
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Autorenporträt
Rosemary Lucy Hill is an independent scholar, formerly of the University of Huddersfield, UK. She is the author of Gender, Metal and the Media: Women Fans and the Gendered Experience of Music (2016) and many articles about feminism, music and big data. She is the co-series editor of Advances in Metal Music and Culture. She is the lead vocalist in a feminist folk metal band and currently writing her first novel.