This book explores the representation of terrorism in plays, novels and films across the centuries, arguing that writers and filmmakers including William Shakespeare, Joseph Conrad, and Steven Spielberg confront the unspeakable by attempting to examining the roots of terrorist violence.
This book explores the representation of terrorism in plays, novels and films across the centuries, arguing that writers and filmmakers including William Shakespeare, Joseph Conrad, and Steven Spielberg confront the unspeakable by attempting to examining the roots of terrorist violence.
Introduction: Speakable/Unspeakable: The Rhetoric of Terrorism 1. "A Deed without a Name": Macbeth the Gunpowder Plot and Terrorism 2. Terrorism and the Nineteenth Century: From the French Revolution to the Stevensons Greer James Conrad and the Rosetti Sisters 3. When Terrorism Becomes Speakable: Pontecorvo's The Battle of Algiers and the Literature of the Troubles 4. Israel/Palestine: Unspeakability in John le Carré The Little Drummer Girl Steven Spielberg Munich and Mohammed Moulessehoul [Yasmina Khadra] The Attack 5. "Why do they hate us?": Updike Hamid DeLillo 6. Epilogue: Where Do We Go From Here? Nadeem Aslam Amy Waldman and Jodi Picoult
Introduction: Speakable/Unspeakable: The Rhetoric of Terrorism 1. "A Deed without a Name": Macbeth the Gunpowder Plot and Terrorism 2. Terrorism and the Nineteenth Century: From the French Revolution to the Stevensons Greer James Conrad and the Rosetti Sisters 3. When Terrorism Becomes Speakable: Pontecorvo's The Battle of Algiers and the Literature of the Troubles 4. Israel/Palestine: Unspeakability in John le Carré The Little Drummer Girl Steven Spielberg Munich and Mohammed Moulessehoul [Yasmina Khadra] The Attack 5. "Why do they hate us?": Updike Hamid DeLillo 6. Epilogue: Where Do We Go From Here? Nadeem Aslam Amy Waldman and Jodi Picoult
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