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This book presents a methodology for segmenting, transcribing, and analysing feature films, especially classical Hollywood films. The book bridges film performance theories with social semiotics, synthesising them into a cohesive framework. It is especially valuable for scholars and students of film studies and social semiotics.

Produktbeschreibung
This book presents a methodology for segmenting, transcribing, and analysing feature films, especially classical Hollywood films. The book bridges film performance theories with social semiotics, synthesising them into a cohesive framework. It is especially valuable for scholars and students of film studies and social semiotics.
Autorenporträt
Zhen Zhang is an academic at the University of Sydney. Her interdisciplinary research spans film studies, digital culture, social semiotics, etc.