This book presents a methodology for segmenting, transcribing, and analysing feature films, especially classical Hollywood films. The book bridges film performance theories with social semiotics, synthesising them into a cohesive framework. It is especially valuable for scholars and students of film studies and social semiotics.
This book presents a methodology for segmenting, transcribing, and analysing feature films, especially classical Hollywood films. The book bridges film performance theories with social semiotics, synthesising them into a cohesive framework. It is especially valuable for scholars and students of film studies and social semiotics.
Zhen Zhang is an academic at the University of Sydney. Her interdisciplinary research spans film studies, digital culture, social semiotics, etc.
Inhaltsangabe
1. Introduction; 2. Theoretical Foundations; 3. Methodology for Film Performance Segmentation, Transcription, and Analysis; 4. The Dialogue Based Scene-Segmentation Methods, Performance Patterns, and Genre Constructions; 5. The Dialogue and Gesture Based Scene-Segmentation Methods, Performance Patterns, and Genre Constructions; 6. The Gesture Based Scene-Segmentation Methods, Performance Patterns, and Genre Constructions; 7. Conclusion; Appendices
1. Introduction; 2. Theoretical Foundations; 3. Methodology for Film Performance Segmentation, Transcription, and Analysis; 4. The Dialogue Based Scene-Segmentation Methods, Performance Patterns, and Genre Constructions; 5. The Dialogue and Gesture Based Scene-Segmentation Methods, Performance Patterns, and Genre Constructions; 6. The Gesture Based Scene-Segmentation Methods, Performance Patterns, and Genre Constructions; 7. Conclusion; Appendices
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