Up in Arms: Gun Imaginaries in Texas
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Up in Arms provides an illustrative and timely window onto the ways in which guns shape people's lives and social relations in Texas. With a long history of myth, lore, and imaginaries attached to gun carrying, the Lone Star State exemplifies how various groups of people at different historical moments make sense of gun culture in light of legislation, political agendas, and community building. Beyond gun rights, restrictions, or the actual functions of firearms, the book demonstrates how the gun question itself becomes loaded with symbolic firepower, making or breaking assumptions about…mehr

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Produktbeschreibung
Up in Arms provides an illustrative and timely window onto the ways in which guns shape people's lives and social relations in Texas. With a long history of myth, lore, and imaginaries attached to gun carrying, the Lone Star State exemplifies how various groups of people at different historical moments make sense of gun culture in light of legislation, political agendas, and community building. Beyond gun rights, restrictions, or the actual functions of firearms, the book demonstrates how the gun question itself becomes loaded with symbolic firepower, making or breaking assumptions about identities, behavior, and belief systems. Contributors include: Benita Heiskanen, Albion M. Butters, Pekka M. Kolehmainen, Laura Hernández-Ehrisman, Lotta Kähkönen, Mila Seppälä, and Juha A. Vuori.
Autorenporträt
Benita Heiskanen, Ph.D. (2004), University of Texas at Austin, is Professor of North American Studies at the University of Turku, Finland. Her works include The Urban Geography of Boxing: Race, Class, and Gender in the Ring (New York: Routledge, 2012). Albion M. Butters, Ph.D. (2006), Columbia University, is a Research Fellow at the John Morton Center for North American Studies at the University of Turku. His research interests include Cultural Studies and the History of Religion. Pekka M. Kolehmainen, Ph.D. (2021), University of Turku, is University Teacher at the John Morton Center for North American Studies. His dissertation in cultural history examines the use of rock as a political concept in the 1980s and 1990s U.S.