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This volume explores issues of repair, maintenance, sustenance, and adaptation within the context of interior design and its histories. This will be of great interest to students and academics of interior design, as well as architecture, conservation, visual culture, art history, and those interested in the theory of the reuse of interiors.

Produktbeschreibung
This volume explores issues of repair, maintenance, sustenance, and adaptation within the context of interior design and its histories. This will be of great interest to students and academics of interior design, as well as architecture, conservation, visual culture, art history, and those interested in the theory of the reuse of interiors.
Autorenporträt
Amy Campos is a Professor at California College of the Arts. She focuses on durability and design, and the impermanent, migratory potentials of the interior. Recent publications include Public Interiority (Routledge, 2024), Interior Design On Edge (Routledge, 2024), Interior Futures (Crucible Press, 2019), Interiors Beyond Architecture (Routledge, 2018), and Interior Architecture Theory Reader (Routledge, 2018). She received a BArch from Cal Poly, San Luis Obispo and an MSAAD from Columbia University. Deborah Schneiderman is a Professor at Pratt Institute. Her scholarship and praxis explore the emerging fabricated interior environment. Recent publications include Inside Prefab: The Ready-Made Interior; The Prefab Bathroom; Textile, Technology and Design: From Interior Space to Outer Space; Interiors Beyond Architecture; Interior Provocations: History, Theory, and Practice of Autonomous Interiors; Appropriated Interiors, Interiors On Edge, and The Prefabricated Interior. Keena Suh is a Professor in the Interior Design Department at Pratt Institute, where she teaches and coordinates courses across the programs at undergraduate and graduate levels, with a focus on interdisciplinary learning. She holds an MArch from Columbia University. Karyn Zieve is Assistant Dean in the School of Liberal Arts and Sciences and Adjunct Assistant Professor in the Department of History of Art & Design at Pratt Institute. She teaches classes that range from the introductory history of art and design sequence to topics in museum studies and the long nineteenth-century European art, design, and theory with a focus on cross-cultural communication and miscommunication. She received her PhD from the Institute of Fine Arts, NYU, completing her dissertation on Eugene Delacroix, Orientalism, and Historicism.