This collection addresses the social and political contexts that have shaped the British TV costume drama as well as the changing historical contexts in which such programs are viewed again and again (in syndication, on DVD, youtube, etc.) and are reinterpreted by a thriving twenty-first-century global fan culture.
This collection addresses the social and political contexts that have shaped the British TV costume drama as well as the changing historical contexts in which such programs are viewed again and again (in syndication, on DVD, youtube, etc.) and are reinterpreted by a thriving twenty-first-century global fan culture.
James Leggott teaches film and television at Northumbria University, UK. He has published on various aspects of British film and television culture and is the principal editor of the Journal of Popular Television. Julie Anne Taddeo teaches history at the University of Maryland. She is an associate editor of the Journal of Popular Television and author of Lytton Strachey and the Searchfor Modern Sexual Identity (2002).She is the editor of Catherine Cookson:On the Borders of Legitimacy, Fiction, and History (2012) and co-editor of Steaming into a Victorian Future: A Steampunk Anthology (Scarecrow Press, 2012).
Inhaltsangabe
Foreword, Jerome de Groot Acknowledgments Introduction, James Leggott and Julie Anne Taddeo PART I: APPROACHES TO THE COSTUME DRAMA Chapter 1: Pageantry and Populism, Democratization and Dissent: The Forgotten 1970s Claire Monk Chapter 2: History's Drama: Narrative Space in "Golden Age" British Television Drama Tom Bragg Chapter 3: "It's not clever, it's not funny, and it's not period!": Costume Comedy and British Television James Leggott Chapter 4: "It is but a glimpse of the world of fashion": British Costume Drama, Dickens, and Serialization Marc Napolitano Chapter 5: Neverending Stories?:The Paradise and the Period Drama Series Benjamin Poore Chapter 6: Epistolarity and Masculinity in Andrew Davies's Trollope Adaptations Ellen Moody Chapter 7: "What are we going to do with Uncle Arthur?": Music in the British Serialized Period Drama Scott Strovas and Karen Beth Strovas PART II: THE COSTUME DRAMA, HISTORY, AND HERITAGE Chapter 8: British Historical Drama and the Middle Ages Andrew B.R.
Foreword, Jerome de Groot Acknowledgments Introduction, James Leggott and Julie Anne Taddeo PART I: APPROACHES TO THE COSTUME DRAMA Chapter 1: Pageantry and Populism, Democratization and Dissent: The Forgotten 1970s Claire Monk Chapter 2: History's Drama: Narrative Space in "Golden Age" British Television Drama Tom Bragg Chapter 3: "It's not clever, it's not funny, and it's not period!": Costume Comedy and British Television James Leggott Chapter 4: "It is but a glimpse of the world of fashion": British Costume Drama, Dickens, and Serialization Marc Napolitano Chapter 5: Neverending Stories?:The Paradise and the Period Drama Series Benjamin Poore Chapter 6: Epistolarity and Masculinity in Andrew Davies's Trollope Adaptations Ellen Moody Chapter 7: "What are we going to do with Uncle Arthur?": Music in the British Serialized Period Drama Scott Strovas and Karen Beth Strovas PART II: THE COSTUME DRAMA, HISTORY, AND HERITAGE Chapter 8: British Historical Drama and the Middle Ages Andrew B.R.
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