Left behind. Scared. And getting really pissed off. Tessa and her friends were supposed to be on their way home. On their way to safety. Instead she wakes up alone, with her friends kidnapped. Targeted and hunted, Tessa goes on the attack, desperate to find her friends and family. But her attackers want her throwback genes and will do anything to have her locked down in their lab. Caught in a dangerous maze, Cody is torn between helping his fellow captives and finding Tessa. He's young to have the connection that's growing between him and his best friend's sister. But any future they might…mehr
Left behind. Scared. And getting really pissed off. Tessa and her friends were supposed to be on their way home. On their way to safety. Instead she wakes up alone, with her friends kidnapped. Targeted and hunted, Tessa goes on the attack, desperate to find her friends and family. But her attackers want her throwback genes and will do anything to have her locked down in their lab. Caught in a dangerous maze, Cody is torn between helping his fellow captives and finding Tessa. He's young to have the connection that's growing between him and his best friend's sister. But any future they might have is in jeopardy if they can't stop the blood farm from taking over the humans...and his people. Jared is free at last, but he can't stop thinking about what he went through at the blood farm and those who helped him. Then he finds out something personal that so horrifying, he has to act...even if it means walking back into the place he swore to never return. These three need to be strong...the war is far from over...and they are right in the middle of it.
Hey there. I'm a Canadian USA Today best-selling author, and I love writing for everyone-whether you're young, old, or somewhere in between. My books? Well, they're a mixed bag. Some are steamy, some are sweet, and a few might have you sleeping with the lights on. Others are perfect for snuggling up with.I've never been one to color inside the lines or stick to a single path. I embrace the wild stories that pop into my head, even if they break the rules and dance across genres. A few years ago, I switched to dictating my stories because my fingers were starting to feel the impact of my steady 10,000 words a day. Dictating is linear, so it silences my internal editor. You can't stop to ensure something is perfect or to see what needs changing-you must continue onward. This approach has allowed me to let my muse take the lead and to feel the story pour from my heart. My mind steps in during the editing process, but, until then, it's all about letting the characters direct the story. That's why my stories have that existential feel of a Dale Mayer book.And you know what? That's totally okay with me.One thing's for sure: every book I write promises to be a great read, every single time.
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