Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on the living "canonical" repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and…mehr
Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on the living "canonical" repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition.
Fugue and Its Discontents Joseph Kerman Fugues, Form, and Fingering: Sonata Style in Bach's Preludes and Fugues David Schulenberg Notational Irregularities as Attributes of a New Style: The Case of Haydn's "Sun" Quartet in F Minor, Op. 20, no. 5 Laszlo Somfai The Fugal Moment: On a Few Bars in Mozart's Quintet in C Major, K. 515 Richard Kramer A Tale of Two Quintets: Mozart's K. 452 and Beethoven's Opus 16 William Kinderman Vestas Feuer: Beethoven on the Path to Leonore Lewis Lockwood Sonority and Structure: Observations on Beethoven's Early and Middle Period Piano Compositions Robert L. Marshall Recomposing the Grosse Fuge: Beethoven and Opus 134 Prof. Robert Winter Schubert, the Tarantella, and the Quartettsatz, D. 703 Julian Rushton On the Scherzando Nocturne Jeffrey Kallberg Chopin's Modular Forms Robert P. Morgan The Hot and the Cold: Verdi Writes to Antonio Somma about Re Lear Philip Gossett The Ironic German: Schoenberg and the Serenade, Op. 24 Walter Frisch Words for the Surface: Boulez, Stockhausen, and "Allover" Painting David Gable Rosen's Modernist Haydn James Webster Facile Metaphors, Hidden Gaps, Short Circuits: Should We Adore Adorno? Leo Treitler The Music of a Classical Style Scott Burnham Montaigne hors de son propos Charles Rosen Tribute: Une culture vraiment intimidante Pierre Boulez Tribute: Charles Rosen for His Eightieth Birthday Elliott Carter Tribute: Charles Rosen: A Personal Appreciation by a Contemporary Charles Mackerras Appendix 1: A Discography of the Recordings of Charles Rosen David Gable Appendix 2: A Bibliography of the Writings of Charles Rosen Robert Curry
Fugue and Its Discontents Joseph Kerman Fugues, Form, and Fingering: Sonata Style in Bach's Preludes and Fugues David Schulenberg Notational Irregularities as Attributes of a New Style: The Case of Haydn's "Sun" Quartet in F Minor, Op. 20, no. 5 Laszlo Somfai The Fugal Moment: On a Few Bars in Mozart's Quintet in C Major, K. 515 Richard Kramer A Tale of Two Quintets: Mozart's K. 452 and Beethoven's Opus 16 William Kinderman Vestas Feuer: Beethoven on the Path to Leonore Lewis Lockwood Sonority and Structure: Observations on Beethoven's Early and Middle Period Piano Compositions Robert L. Marshall Recomposing the Grosse Fuge: Beethoven and Opus 134 Prof. Robert Winter Schubert, the Tarantella, and the Quartettsatz, D. 703 Julian Rushton On the Scherzando Nocturne Jeffrey Kallberg Chopin's Modular Forms Robert P. Morgan The Hot and the Cold: Verdi Writes to Antonio Somma about Re Lear Philip Gossett The Ironic German: Schoenberg and the Serenade, Op. 24 Walter Frisch Words for the Surface: Boulez, Stockhausen, and "Allover" Painting David Gable Rosen's Modernist Haydn James Webster Facile Metaphors, Hidden Gaps, Short Circuits: Should We Adore Adorno? Leo Treitler The Music of a Classical Style Scott Burnham Montaigne hors de son propos Charles Rosen Tribute: Une culture vraiment intimidante Pierre Boulez Tribute: Charles Rosen for His Eightieth Birthday Elliott Carter Tribute: Charles Rosen: A Personal Appreciation by a Contemporary Charles Mackerras Appendix 1: A Discography of the Recordings of Charles Rosen David Gable Appendix 2: A Bibliography of the Writings of Charles Rosen Robert Curry
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