This study, the first of its kind on a work of Vaughan Williams, traces the genesis of the composer's enigmatic final symphony as documented in the surviving manuscripts. The latter reveal an underlying program based on Hardy's Tess of the D'Urbervilles, and chart the composer's struggle to find the technical means by which to realize his most complex spiritual vision.
This study, the first of its kind on a work of Vaughan Williams, traces the genesis of the composer's enigmatic final symphony as documented in the surviving manuscripts. The latter reveal an underlying program based on Hardy's Tess of the D'Urbervilles, and chart the composer's struggle to find the technical means by which to realize his most complex spiritual vision.
Lecturer in Music, Magdalen College, Oxford, 1989 Lecturer in Music, Lancaster University, 1989-94 Associate Professor of Music at University of Connecticut, Storrs, since 1994
Inhaltsangabe
* List of Illustrations * List of Figures * List of Tables * List of Musical Examples * Notes to the Sketch Transcriptions * Abbreviations * 2.: The Ninth Symphony: Context, Sources, and Working Methods * 3.: First Movement * 4.: Second Movement * 5.: Third Movement * 6.: Fourth Movement * 7.: Salisbury, Hardy, and Bunyan: The Programmatic Origins of the Symphony * 8.: Conclusions * Appendix. Details of Structure and Other Physical Features of the Manuscripts * Select Bibliography * Index
* List of Illustrations * List of Figures * List of Tables * List of Musical Examples * Notes to the Sketch Transcriptions * Abbreviations * 2.: The Ninth Symphony: Context, Sources, and Working Methods * 3.: First Movement * 4.: Second Movement * 5.: Third Movement * 6.: Fourth Movement * 7.: Salisbury, Hardy, and Bunyan: The Programmatic Origins of the Symphony * 8.: Conclusions * Appendix. Details of Structure and Other Physical Features of the Manuscripts * Select Bibliography * Index
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