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Focussing on 1930-60, this publicationconsiders Pasmore's transition from figurative painter to abstract artist. Reproducing works from both public and private collections, this publicationwill stoke interest in an important period in British art history and shed newlight on a crucial stage in Pasmore's career.

Produktbeschreibung
Focussing on 1930-60, this publicationconsiders Pasmore's transition from figurative painter to abstract artist. Reproducing works from both public and private collections, this publicationwill stoke interest in an important period in British art history and shed newlight on a crucial stage in Pasmore's career.
Autorenporträt
Anne Goodchild is a curator and writer and was formerly the Senior Curator with Sheffield Galleries and Museums Trust.Elena Crippa is Curator, Modern and Contemporary British Art, at Tate. Previously, she worked as part of the Tate Research project Art School Educated: Curriculum Development and Institutional Change in UK Art Schools, 1960-2010.Alastair Grieve is an art historian, previously at the University of East Anglia. He curated the Arts Council Touring Exhibition Victor Pasmore in 1980 and Anthony Hill's Retrospective Exhibition at the Hayward Gallery in 1983. He is the author of Constructed Abstract Art in England after the Second World War (2005) and The Sculpture of Robert Adams (1992).